Ovid and the Renaissance Body

Acknowledgments

Introduction: Ovid and the Renaissance Body
Goran V. Stanivukovic, Saint Mary’s University

Ovidian Subjectivities in Early Modern Lyric: Identification and Desire in Petrarch and Louise Labé
Carla Freccero, University of California at Santa Cruz

Imagining Heterosexuality in the Epyllia
Jim Ellis, University of Calgary

Inversion, Metamorphosis, and Sexual Difference: Female Same-Sex Desire in Ovid and Lyly
Mark Dooley, University of Teesside

A Garden of Her Own: Marvell’s Nymph and the Order of Nature
Morgan Holmes, Wilfrid Laurier University

‘Male deformities’: Narcissus and the Reformation of Courtly Manners in Cynthia's Revels
Mario Digangi, CUNY.

Arms and the Women: The Ovidian Eroticism of Harington’s Ariosto
Ian Frederick Moulton, Arizona State University

Part II: Speech, Voice, and Embodiment

Localizing Disembodied Voice in Sandys’s Englished ‘Narcissus and Echo’
Gina Bloom, Lawrence University

The Ovidian Hermaphrodite: Moralizations by Peend and Spenser
Michael Pincombe, University of Newcastle upon Tyne

Ovid and the Dilemma of the Cuckold in English Renaissance Drama
Bruce Boehrer, Florida State University

Part Ill: Textualization

Lyrical Wax in Ovid, Marlowe, and Donne
Raphael Lyne, New Hall, Cambridge

Engendering Metamorphoses: Milton and the Ovidian Corpus
Elizabeth Sauer, Brock University

The Girl He Left Behind: Ovidian imitatio and the Body of Echo in Spenser’s ‘Epithalamion’
Judith Deitch, University of Toronto

‘If that which is lost be not found’: Monumental Bodies, Spectacular Bodies in The Winter’s Tale
Lori Humphrey Newcomb, University of Illinois at Urbana-Champaign

Afterword
Valerie Traub, University of Michigan

Contributors
Index