The Politics of the Visible in Asian North American Narratives
Published: May 2004© 2004
Imprint: University of Toronto Press
Page Count: 244 Pages
Illustrations: 3 b&w illustrations
Dimensions: 6.21 x 9.28
244 Pages, 6.21 x 9.28 x 0.94 in, 3 b&w illustrations
Examining nine Asian Canadian and Asian American narratives, Eleanor Ty explores how authors empower themselves, represent differences, and re-script their identities as 'visible minorities' within the ideological, imaginative, and discursive space given to them by dominant culture. In various ways, Asian North Americans negotiate daily with 'birthmarks,' their shared physical features marking them legally, socially, and culturally as visible outsiders, and paradoxically, as invisible to mainstream history and culture.
Ty argues that writers such as Denise Chong, Shirley Geok-lin Lim, and Wayson Choy recast the marks of their bodies and challenge common perceptions of difference based on the sights, smells, dress, and other characteristics of their hyphenated lives. Others, like filmmaker Mina Shum and writers Bienvenido Santos and Hiromi Goto, challenge the means by which Asian North American subjects are represented and constructed in the media and in everyday language. Through close readings grounded in the socio-historical context of each work, Ty studies the techniques of various authors and filmmakers in their meeting of the gaze of dominant culture and their response to the assumptions and meanings commonly associated with Orientalized, visible bodies.
'Ty's scholarship is not only solid and up-to-date but impressive in its range and suppleness. Her book conveys awareness, not only of the major primary texts and authors in Asian North American literature, but also the most recent publications in Asian American theory. To this she adds eclectic references to a wide range of theory, including psychoanalytic, genre, postcolonial, and postmodernist, and concise, well-focused historical backgrounds. Her book combines a sense of familiarity with the various theoretical frameworks with astute, beautifully nuanced readings of the literary and cinematic texts ... A smart and elegant book that fills some significant gaps in the existing scholarship.'Patricia P. Chu, Department of English, George Washington University