OuterSpeares: Shakespeare, Intermedia, and the Limits of Adaptation

Introduction: OuterSpeares: Shakespeare, Intermedia, and the Limits of Adaptation (Daniel Fischlin)

Section 1: “Strange Invention”: Shakespeare in the New Media

YouTube Shakespeare and the Rhetorics of Invention (Christy Desmet)

“Is there an app for that?”: Mobile Shakespeare on the Phone and in the Cloud (Jennifer Ailles)

Section 2: “These violent delights have violent ends”: Shakespearean Adaptation and Film Intermedia

Melted into Media: Understanding Julie Taymor’s Film Adaptation of The Tempest in the Wake of 9/11 and the War on Terror (Don Moore)

Transgression and Transformation: Mickey B and the Dramaturgy of Adaptation - An Interview with Tom Magill (Daniel Fischlin, Tom Magill, and Jessica Riley)

Section 3: “All the Uses of this World”: TV, Radio, Popular Music, Theatre and the Uses of Intermedia

Slings & Arrows: Pedagogical Theory and Practice in an Intermediated Shakespeare (Kim Fedderson and Michael Richardson)

Your Master’s Voice: The Shakespearean Narrator as Intermedial Authority on 1930s American Radio (Andrew Bretz)

Sounding Shakespeare: Intermedia Adaptation and Popular Music (Daniel Fischlin)

“Playing the Race Bard”: How Shakespeare and Harlem Duet Sold (at) the 2006 Stratford Festival (James McKinnon)

Section 4: “Give No Limits to My Tongue ... I am Privileged to Speak”: The Limits of Adaptation?

Patchwork Shakespeare: Community Events at the American Shakespeare Tercentenary (1916) (Monika Smialkowska)

Upcycling Shakespeare: Crafting Cultural Capital (Sujata Iyengar)

Beyond Adaptation (Mark Fortier)