Introduction
Taking a Step Back
Barry Freeman and Kathleen Gallagher
Part I: A Politics of Place in a Global Age
Theatre for a Changeable World, or Making Room for a Fire (Barry Freeman)
Make What You Need (Dustin Scott Harvey)
When You’re Up to Your Ass in Alligators… (Edward Little)
Part II: Antitode for an Ailing Modernity
Politics and Presence: A Theatre of Affective Encounters (Kathleen Gallagher)
If You Mingle: Thoughts on How Theatre Humanizes the Audience (Andrew Kushnir)
Towards a Theatre of Rich, Poetic Language (Alan Dilworth)
The Box That Cannot Be Contained (Catherine Banks)
Part III: (En)Gendering Change
Recontextualizing (Jackie Maxwell in conversation with Kathleen Gallagher)
Performance as Reappearance: Female Blackness in History and Theatre (Naila Keleta-Mae)
Unspeakable Vulnerability: Theatre Mattering in Men’s Lives (Julie Salverson)
Part IV: Breaking Down Barriers
It’s Time to Profess Performance: Thinking Beyond the Specialness and Discreteness of Theatre (Laura Levin)
Including Millennials in the Theatre of the New Millennium (Nicholas Hanson)
Convergence Theatre: Necessary Producers (A Dialogue Between Julie Tepperman and Aaron Willis)
Are We There Yet? Using Theatre to Promote Positive Interdisciplinary Intercourse (James McKinnon)
Thinking Beyond the Boundaries of Theatre, Math and Reality (John Mighton in conversation with Kathleen Gallagher)
Part V: Why Theatre Always
From Epidaurus to the BackSpace at Passe Muraille: Hard Seats, Real Theatre (Judith Thompson)
Sequencing the Shattered Narratives of the Now (Ann-Marie MacDonald in conversation with Kathleen Gallagher)
A Small Essay on the Largeness of Light (Daniel David Moses)
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