Introduction
Corrinne Harol and Mark Simpson
I Acting: Liberal Subjects and Objects
1. Posthuman Capital, or I ♥ Apocalypse
Jennifer Ashton
2. The Wish to Be an Object
Aaron Kunin
II Socializing: Aesthetic Autonomies and Collectivities
3. Full Content: Shaw’s Paratexts, Social Liberalism, and Harmonization
Michael, Meeuwis
4. Refreshments of Revolutionary Mood
Jonathan Flatley
III Discriminating: Liberal Ethics and Literary Aesthetics
5. Playing at Judgment: Aporias of Liberal Freedom in Kant’s Critique of Judgment
Vivasvan Soni
6. In Frankenberg’s Cafeteria: The Small Worlds of Highsmith’s The Price of Salt
Heather Love
IV Recounting: Literary Evidence and Liberal Narration
7. The Proletarian Thirties and Canadian Literary History
Andrea Hasenbank
8. The Corporate Reconstruction of American Literary History
Jason Potts
V Culturing: Economics, Institutions and the Imagination
9. The Empire Digs Back: Kew Gardens, the Assistant for India, and the Problem of Knowledge Production after Empire
Sina Rahmani
10. “They Make Their Own Tragedies, Too”: Harvey Swados and Postwar Liberalism’s Discourse of Dependency 389
Sean McCann
Contributors
Index