Acknowledgments
Notes on Contributors
Introduction
PART I. Shakespeare and Modern Drama
Chapter 1: Unwinding Coriolanus: Osborne, Grass and Brecht
Peter Holland
Chapter 2: Three Men in a Boat: Stoppard, Beckett, and the Ghost of Arnold Geulincx
Hersh Zeifman
Chapter 3: West Side Story and the Vestiges of Theatrical Liberalism
Andrea Most
Chapter 4: Staging Shakespeare for 'Live' Performance in The Eyre Affair and Stage Beauty
Margaret Jane Kidnie
Chapter 5: Macbeth and Modern Politics
John H. Astington
Chapter 6: Shakespeare as Memoir
Katherine Scheil
Chapter 7: 'Bold, but Seemingly Marketable': The 2007 Stratford Ontario Merchant
Robert Ormsby
PART II. Shakespeare
Chapter 8: 'To gain the language, 'tis needful that the most immodest word be looked
upon and learnt': Editing the Bawdy in Henry IV, Part Two
James C. Bulman
Chapter 9: Extremes of Passion
Stanley Wells
Chapter 10: Shakespeare and the Indifference of Nature
Alexander Leggatt
Chapter 11: Pauline Cartography, Missionary Nationalism, and The Tempest
Randall Martin
Chapter 12: Lear's conversation with the philosopher
Hanna Scolnicov
PART III. Modern Drama
Chapter 13: An Experiment in Teaching: Pygmalion, My Fair Lady and the Pursuit of Happiness
Alan Ackerman
Chapter 14: 'The Going To Pieces of T. Lawrence Shannon': Notes On Tennessee Williams' Drafts of The Night of the Iguana (1961)
Brian Parker
Chapter 15: 'How do you play this game?': Nonsensical Language Games in Shaw, Coward, and Pinter
Rebecca S. Cameron
Afterword: A Tapestry of Thanks: Reflections on the Work of Jill L. Levenson
Jane Freeman
Jill L. Levenson's Publications
Index
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