Introduction. Fact and Fiction: Literary and Scientific Cultures in Germany and Britain Thoughts on a Contentious Relationship
Christine Lehleiter
PART I Reading: Electricity, Medicine
1 Facts Are What One Makes of Them: Constructing the Faktum in the Enlightenment and Early German Romanticism
Jocelyn Holland
2 The Competing Structures of Signification in Samuel Hahnemann’s Homeopathy: Between 18th-century Semiosis and Romantic Hermeneutics
Alice Kuzniar
PART II Imagining: Botany, Chemistry, Thermodynamics
3 “She comes! – the GODDESS!”: Narrating Nature in Erasmus Darwin’s The Botanic Garden (1791)
Ann Shteir
4 Elective Affinities / Wahlverwandtschaften: The Career of a Metaphor
Christian Weber
5 Physics Disarmed: Probabilistic Knowledge in the Works of James Clerk Maxwell and George Eliot
Tina Young Choi
PART III Sensing: Anthropology, Psychology, Aesthetics
6 Herder’s Unsettling of the Distinction between Fact and Fiction
John K. Noyes
7 Fictional Feedback: Empirical Souls and Self-Deception in the Magazine for Empirical Psychology and Beyond
Michael House
8 Fictional Feelings Psychological Aesthetics and the Paradox of Tragic Pleasure
Tobias Wilke
PART IV Relating: Biology
9 Coining a Discipline: Lessing, Reimarus, and a Science of Religion
Stefani Engelstein
10 Kin Selection, Mendel’s “Salutary Principle,” and the Fate of Characters in Forster’s Longest Journey
Daniel Aureliano Newman
PART V Displaying: Scientific Collections
11 Anatomy Collections in and of the Mind: Science, the Body and Language in the Writings of Durs Grünbein and Thomas Hettche
Peter M. McIsaac
12 Vivifying the Uncanny: Ethnographic Mannequins and Exotic Performers in Nineteenth-Century German Exhibition Culture
Dana Weber