Introduction (Peter M. McIsaac and Gabriele Mueller)
1. The “Museal Gaze” and “Civic Seeing”: City, Film and Museum in Wim Wenders’ Der Himmel über Berlin (Simon Ward)
2. Refracted Memory: Museums, Film, and Visual Culture in Urban Space (Mark W. Rectanus)
3. Nikolaus Geyrhalter’s Unser täglich Brot: Preservation, the Food Industry, and the Interrogation of Visual Evidence (Alice Kuzniar)
4. The Concealed Curator: Constructed Authenticity in Uli Edel’s Der Baader-Meinhof Komplex (Catriona Firth)
5. Remembering and Historicizing Socialism: The Private and Amateur Musealization of East Germany’s Everyday Life (Anne Winkler)
6. Object Lessons: Visuality and Tactility in Museums of the Socialist Everyday (Jonathan Bach)
7. Historical Museum Meets Docu-Drama: The Recipient’s Experiential Involvement in the Second World War (Stephan Jaeger)
8. Between Education and Entertainment: Visual Musealizations of the Nazi Past in Harlan—Im Schatten von Jud Süß (2008) & Jud Süß—Film ohne Gewissen (2009/2010) (Annika Orich and Florentine Strzelczyk)
9. Moving Statues: Arthur Grimm, The “Entartete Kunst” Exhibition, and Installation Photography as Standfotografie (Kathryn M. Floyd)
10. “In a Hundred Years of Cinema ...”: History and Musealization in Harun Farocki’s Arbeiter verlassen die Fabrik in elf Jahrzehnten (Workers Leaving the Factory in Eleven Decades, 2006) (Christine Sprengler)
11. Sex on Display: Sexual Science and the Exhibition PopSex! (Michael Thomas Taylor and Annette F. Timm)
12. Spaces in Motion and Cinematic Experiences: The Permanent Exhibition Film of the Deutsche Kinemathek—Museum für Film und Fernsehen (Museum for Film and Television) (Peter Mänz)
Add to Wishlist