Acknowledgments
Introduction: Conchita Piquer’s
Coplas as Psychotherapy
Chapter One: Camouflage: The Psychology of Survival in Franco’s Spain
Chapter Two: An Introduction to the Copla and its Star Performer
Chapter Three: Coping with Terror Through Popular Music: ‘La Parrala’ (‘The Wine Lady’)
Chapter Four: Paradise Lost: ‘Ojos verdes’ (‘Green Eyes’) as Ritual of Separation
Chapter Five: ‘Tatuaje’ (‘Tattoo’), the Unburied Dead, and Complicated Grief
Chapter Six: The ‘Other Woman’: ‘Romance de la otra’ as Ritual of Marginalization and Disenfranchised Grief
Chapter Seven: Reasserting Personhood through Popular Song: ‘Romance de valentía’ (‘Ballad of Bravery’) and ‘La Ruiseñora’ (‘The Nightingale’)
Chapter Eight: When a Radio Song is the Meaning of Life: Mending the Torn Fabric of Identity through Narrative, Music and Interpretation
Conclusion
Notes
Bibliography