Gifts and Graces: Prayer, Poetry, and Polemic from Lancelot Andrewes to John Bunyan

"In a powerful afterword, Gay speaks to the continued link between prayer and polemic in our post-secular times."

Alison Shell, The Times Literary Supplement

"The book effectively produces a picture of faithful spiritual writing across emerging divisions, and the chief contribution of the book is the way it shows how intimate the division was: how congregations and poets were all praying the Lord’s Prayer, yet in ways marked in contradistinction."

Paul Dyck, Canadian Mennonite University, Renaissance and Reformation / Renaissance et Réforme

"The book offers a clear and judicious account of the polemics of prayer, art, and inspiration so fundamental to the culture of seventeenth-century England. Gay's discussion of this contentious topic is particularly distinguished by the attention paid to preachers and prose writers such as Cranmer, Andrewes, Taylor, and Bunyan, as well as to three major poets of prayer – Herbert, Vaughan, and Milton."

Helen Wilcox, professor emerita of English Literature, Bangor University

"Gifts and Graces deftly employs the lens of prayer – ‘the most fundamental religious activity’ – for the illumination of a rich and disparate array of early modern English poetry, from the Book of Common Prayer, Lancelot Andrewes, and George Herbert to the ‘prayers’ of Satan in Paradise Lost and the prayerful defiance of John Bunyan. David Gay's authoritative account is immensely informative and engaging. And for today's reader, his afterword alone is worth the price of admission."

Dennis Danielson, professor emeritus of English, University of British Columbia

"In Gifts and Graces, the borderlands between prayer and poetry are as alive with influences and borrowings as they are riven by controversy and division. Gay writes with a command of the languages of scripture, prayer book, and poetic style. In this incisive study, the vernacular prayer book, imbued with biblical language and poetic invention, and meant to unify a nation, becomes a deeply divisive text as the boundaries between prayer and poetry are continually redrawn in early modern England. Well-chosen examples illustrate the contests between artifice and inspiration across ecclesiastical divides, in inner conflicts between priest and poet, and as markers of personal growth."

Kathleen Lynch, Executive Director of the Folger Institute, Folger Shakespeare Library