"Italian Neorealism, A Cultural History is a comprehensive theoretical study of neorealism in the context of both the criticism of its contemporaries and the judgement of history. Brilliantly researched, it will make an indispensable reference for anyone teaching the period, either in Italian literature or in cinema."
William Wall, Dublin Review of Books
"As debates on the definition of neorealism will undoubtedly continue, Leavitt’s historicizing of neorealism is an essential contribution that will greatly enable our understanding of the enduring place of neorealism in Italian culture."
Rebecca Bauman, Fashion Institute of Technology, State University of New York, Modern Italy
"This is an intelligent, well-written, and very well-documented study. It certainly will be an important point of reference in future discussions of the neorealist movement. Leavitt stakes out a vast research program that can easily stretch over an entire career. This auspicious and ambitious beginning is intrepidly undertaken, and it leaves me awaiting future studies by him."
Joseph Francese, Michigan State University, Forum Italicum
"Leavitt shows a wide breadth of knowledge in archival material and demonstrates how one can revisit a movement so widely studied as neorealism without incurring in tautologies or clichés. With a wonderful apparatus of notes and bibliography, this study will definitely be a perfect tool to problematize the ‘Neorealism label’ for students as for scholars and to accept less dogmatically Italian postwar production across the arts."
Stefania Lucamante, Università degli Studi di Cagliari, Annali d'Italianistica
"Leavitt’s extensive research, his accessible and moving style, and the careful delineation of his arguments are exceptional. Since he claims there is still much to say about neorealism, we can wait eagerly to see where this work will take him."
Marcia Landy, University of Pittsburgh, Italian Culture
"The meticulous research that Leavitt has carried out makes this text a cornerstone of scholarship on neorealism: the reconstruction of the cultural debates that accompanied the development of the various neorealisms across the arts offers a new and stimulating approach, which will necessarily generate new critical readings of fundamental works of the Italian twentieth century."
Daniele Biffanti, Allegoria
"Italian Neorealism. A Cultural History extends and enriches the conversation on Neorealism in ways that are deeply illuminating and refreshing. I am sure that this study will also inspire young scholars to think about the archive of neorealism in new ways and to approach it, generously, as a vibrant and far-from-exhausted shared conversation."
Sergio Rigoletto, University of Oregon, Cinergie
"Leavitt’s meticulously researched and carefully argued study will become a major point of reference for future work on neorealism."
David Forgacs, New York University, Film Quarterly
"Riding an exciting new wave in cultural historiography, Leavitt’s book on Italian neo-realism sets an important standard for historical research within film studies. It should be compulsory reading for emerging scholars in search of innovative approaches to film studies worldwide."
Luca Caminati, Concordia University, Canadian Journal of Film Studies
"Leavitt explores the neorealist socio-political, cultural and aesthetic environment with the precision of a surgeon, without losing the poetics that artistic representation inexorably carries with it. In this sense, if a historian must discover what people thought and rethink it again for himself, thanks to Leavitt, the public will be able to comprehend certain zones that had remained grey areas around the cultural history of Italian neorealism."
David Escudero, Universidad Politécnica de Madrid, Spain, Journal of Visual Culture
"I wholeheartedly recommend this rich and carefully researched book to anyone interested in the history of Italian neorealism and its legacy, which goes far beyond Italian cinema and culture. Readers will find plenty there to learn, discuss, and even disagree with."
Alessio Baldini, University of Leeds, Italian Studies
“Leavitt’s text is an incredible treasure trove in the form of an outstanding bibliography. It not only shows the research’s health, but it is a boon to the interested reader, something to treasure across platforms because it is exemplary. Do reviews end with a thank you to the author? This one does.”
William Anselmi, University of Alberta, University of Toronto Quarterly
“Leavitt’s work […] convincingly promotes a thorough rethinking of both the neorealist phenomenon and the cultural debates that developed around it.”
Manuela Gieri, Università degli Studi della Basilicata, Quaderni d’Italianistica
“Italian Neorealism: A Cultural History is both a fundamental reference point for future research on neorealism and a model of scholarship. Its argumentation radiates a deep sense of humility and generosity towards both its readers and its sources.”
Piero Garofalo, University of New Hampshire, Journal of Italian Cinema & Media Studies
“Italian Neorealism: A Cultural History is a valuable resource for anyone working in European cultural history, Italian film studies and literary history, and film studies more broadly.”
Dana Renga, Ohio State University, Symposium
"The range and depth of the sources Charles L. Leavitt IV draws on is testimony to the hard work and fine scholarship that has produced this study. I can think of no scholar outside Italy who can draw on such an encyclopedic knowledge of the intricacies of Italian cultural and political debate in the latter half of the 1940s. And he puts it all to very good use."
David Ward, Department of Italian, Wellesley College
"Charles L. Leavitt IV demonstrates total mastery of the immense literature on the subject of Italian Neorealism, both from the times when the phenomenon took shape and from contemporary sources."
Luca Barattoni, Department of Languages, Clemson University
"Impeccably researched and deeply illuminating, Italian Neorealism: A Cultural History probes the networks, the histories, the ethics, and the aesthetics that made neorealism such a vibrant and also contradictory – indeed, vibrant because it was contradictory – cultural moment. Offering a bracing corrective to tired attempts that tie neorealism to dogma and definition, Leavitt proposes instead a compelling model of neorealism as an extended ‘cultural conversation,’ drawing on examples from film, novels, poetry, drama, essays, art, and architecture. In the process he captures neorealism’s variety of voice and its quite exceptional contribution to the culture of Europe’s ‘postwar.’"
Robert S.C. Gordon, Serena Professor of Italian, Faculty of Modern and Medieval Languages and Linguistics, University of Cambridge
"In this superbly researched study, Charles L. Leavitt IV historicizes the canonization of ‘neorealismo’ by identifying the term's earlier references to interwar modernist literature, Soviet cinema, and European artistic practices. Italian Neorealism is a triumph of cultural archeology and critical clarity."
Giorgio Bertellini, Professor, Department of Film, Television, and Media, University of Michigan
