Acknowledgments
Introduction: Secular and Religious in Medieval Culture
Chapter 1: Gautier de Coinci's Marian Poetics of Familiar Strangeness
- The Human and Divine in Harmony
- 'Amours, qui bien set enchanter' (I Ch 3/RS 851)
- 'Roÿne celestre' (I Ch 5/RS 956, 1903)
- 'D'une amour quoie et serie' (II Ch 5/RS 1212)
Chapter 2: Thibaut de Champagne, Genre, and the Medieval Taste for Hybrids
- Thibaut in the Line of Gautier
- Thibaut's Hybridized Marian Songs
- 'Commencerai a fere un lai': Genre and Aesthetic Play
Chapter 3: Voicing Marian Devotion in Women's Devotional Song
- Songs in the Voice of Everywoman
- Religious Women Voicing Marian Devotion
- Mary's Voice: 'Lasse, que devendrai gié'
Chapter 4: Jacques de Cambrai, Distinctive Traditionalism, and Kaleidoscopic Contrafacta
- Choices of Motif, Theme, and Model: The Case for Distinctive Traditionalism
- Towards a Generative Model of Kaleidoscopic Contrafacture
- Traditionalism, Innovation, and ';Retrowange novelle'
- The Future of Old French Marian Song
Chapter 5: Rutebeuf: Beyond the World of Marian Song
- Rutebeuf's Polemical Marian Poetry
- Marian Devotion Dramatized
- When Mary Intercedes: 'Un dist de Nostre Dame'
Conclusion: Contrafacture and Cultural Exchange
Appendix of textual and musical editions of songs and poems
Notes
Bibliography
Index
