Acknowledgments
List of Illustrations
Introduction: The Age of Iberian Epic
Emiro Martinez-Osorio
Part One: Of Gods and Textual Models
1. Design Ingeniously Corrected: Corte-Real, Os Lusíadas, and the Gods in the Felicissima
Helio J.S. Alves
2. Pagan Nature and the Naturalization of Empire in the New World Epyllions of Bento Teixeira and Silvestre de Balboa
Luis Rodriguez Rincon
3. Lyric as Temptation in Alonso de Ercilla and Torquato Tasso
Mercedes Blanco
Part Two: The Poet as Hero
4. The Many Voices of the Poet: Narrative Polyphony in Os Lusíadas
Matthew Da Mota
5. Eyewitness, Hero, and Poet: Alonso de Ercilla in the Three Parts of La Araucana
Aude Plagnard
Part Three: Gendered Epics
6. The Voice and the Veil: Pearls, Villancicos, and Dissent in Juan de Castellanos’ Elegy 14
Emiro Martinez-Osorio
7. Domestic Bliss and Strife: Fresia and Caupolicán in Alonso de Ercilla’s La Araucana and Pedro de Oña’s Arauco Domado
Nicole Delia Legnani
Part Four: New Historiographic and Cartographic Boundaries
8. Christopher Columbus and the Anonymous Pilot in Carlo famoso by Luis Zapata de Chaves
Jason McCloskey
9. Cartography in Bernardo de Balbuena’s El Bernardo o victoria de Roncesvalles
Martin Zulaica Lopez
Afterword
Mercedes Blanco
Contributors
Index