"Mayhill Fowler’s account of Soviet Ukraine’s 'beau monde' has managed to accomplish something that the central characters in her book often found elusive: telling a story that is both Soviet and Ukrainian."
Kathryn David, New York University, Canadian-American Slavic Studies
"Beau Monde on Empire’s Edge is a tour de force that will have far-reaching consequences for the way we understand Soviet national culture, and how we understand the field of Ukrainian studies itself."
Oleh Kotsyuba, Ukrainian Research Institute, Harvard University, Harvard Ukrainian Studies Journal
"Beau Monde on Empire’s Edge indeed offers an outstanding account of un-making the late imperial South East and the subsequent development of early Soviet culture in the newly created Soviet Ukraine…[it] presents an elaborate theoretical and contextual account which can help to locate the artists and their art in a specific time and a specific locality. It should be interesting for both academic and non-academic readers."
Yuliya Yurchuk, Baltic Worlds
"This engaging book is a model of interdisciplinary work, undoubtedly facilitated by Fowler’s background in theatre… Her study challenges established historians who ignore cultural production, and it deserves to be read by scholars of diverse disciplines. "
Susan Costanzo, Slavonic and East European Review
"This book offers a necessary reappraisal of the formative Soviet decades in Ukraine and helps us understand better how Soviet culture developed across the Soviet Union… It offers a new and original angle to studying Soviet nationalities policy."
Olena Palko, European History Quarterly
"An elegantly written and entertaining book, with a well-crafted argument and a timely focus on Ukraine’s cultural diversity and identity politics."
Myorslav Shkandrij, Slavic Review
"The interaction of minority national cultures, empire, and international modernism is at the heart of Mayhill Fowler’s study of theatre in early twentieth-century Ukraine. Fowler offers several useful ideas for researchers working in the field of Soviet/Russian imperial culture and beyond."
Uilleam Blacker, Kritika, Explorations in Russian and Eurasian History
"Mayhill Fowler’s book is an engrossing and persuasive new look at the formation of Soviet culture as it took shape within the performing arts. Her basic tenets may be usefully applied to other aspects, among them the way in which émigré culture sought to define itself in opposition to its Soviet counterpart."
Laurence Senelick, The Soviet and Post-Soviet Review
"This book is cultural history at its best. Fowler’s subtle reading of forgotten cultural events draws out their significance in a way that opens up new conceptual vistas. Her work makes a major contribution to Ukrainian studies and the field of Soviet cultural history; it can also attract a wider audience of theatre lovers."
Serhy Yekelchyk, University of Toronto Quarterly
"Beau Monde on Empire’s Edge is a wonderful piece of work; it is beautifully written, in a witty, textured, and lively prose. Mayhill C. Fowler has a visceral – as well as an intellectual and theoretical – understanding of theatre and of audience that shows on every page of the manuscript."
Irena Makaryk, Department of English, University of Ottawa
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