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Trick or treat? That depends on your reading list…
This week, we’re counting down to Halloween with spirited titles on everything from ghosts to witchcraft to Canadian horror films. We’ve rounded up some of our favourites – just in case you want a couple of treats for your shelf.
“To speak of ghosts is to always speak of a loss that returns. Loss can tell us something not only about the distant past but also how we live in the present and imagine the future.”
Revisit twentieth-century Spanish history through the camera lens. Ghostly Landscapes reveals how haunting serves to mourn loss, redefine space and history, and confirm the significance of lives and stories previously hidden or erased. A significant re-evaluation of fascist and post-fascist Spanish visual culture from Patricia Keller.
Welcome to a wasteland of docile damnation and prosaic pestilence where savage beasts and mad scientists rub elbows with pasty suburbanites, grumpy seamen, and baby-faced porn stars.
Highlighting more than a century of Canadian horror filmmaking, The Canadian Horror Film offers a series of thought-provoking reflections that promises to guide both scholars and enthusiasts alike. Unearth the terrors hidden in the recesses of the Canadian psyche from editors Gina Freitag and André Loiselle.
Exploring the place of magic in the medieval world through an exploration of images and texts in British Library manuscripts, Sophie Page reveals a fascination with the points of contact between this and the celestial and infernal realms. Find magicians, wisewomen, witches, charms, and rituals in Magic in Medieval Manuscripts.
“The spiritualist trend played a significant role in the ideological and social life of the realist age. The reality of the soul was a major issue of the time. Physicists, physiologists, theologians, mystics, and, of course, writers all took part in this debate.”
Surprisingly, nineteenth-century Russia was consumed with a passion for activities such as séances and summoning the spirits. Ghostly Paradoxes examines the relationship between spiritualist beliefs and the mindset of the Russian Age of Realism. Newly released in paperback – now that’s a treat!
“Suspension rejects the impulse to cling to the known and the knowable.”
Whether the rapt trances of Romanticism or the corpse-like figures that confounded Victorian science and religion, Awful Parenthesis reveals that depictions of bodies in suspended animation are a response to an expanding, incoherent world in crisis. Examining various aesthetics of suspension in the works of poets such as Coleridge, Shelley, Tennyson, and Christina Rossetti, Anne McCarthy shares important insights into the nineteenth-century fascination with the sublime.
“Those who have picked up this book are about to fly through a mirror, back through time, and look down upon an unfamiliar terrain.”
What’s really behind our fascination with magic and witchcraft? Editor Martha Rampton demonstrates how understandings of magic changed over time, and how these were influenced by factors such as religion, science, and law. By engaging with a full spectrum of source types, learn how magic was understood through the medieval and early modern eras.
Medieval astrologers, though sometimes feared to be magicians in league with demons, were usually revered by scholars whose ideas and practices were widely respected. Explore the dazzling complexity of western astrology and its place in society, as revealed by a wealth of illustrated manuscripts from the British Library’s rich medieval collections.