Art before the Law: Aesthetics and Ethics

By Ruth Ronen

© 2014

Ever since Plato expelled the poets from his ideal state, the ethics of art has had to confront philosophy’s denial of art’s morality. In Art before the Law, Ruth Ronen proposes a new outlook on the ethics of art by arguing that art insists on this tradition of denial, affirming its singular ethics through negativity.

Ronen treats the mechanism of negation as the basis for the relationship between art and ethics. She shows how, through moves of denial, resistance, and denouncement, art exploits its negative relation to morality. While deception, fiction, and transgression allegedly locate art outside morality and ethics, Ronen argues they enable art to reveal the significance of the moral law, its origins, and the idea of the good. By employing the thought of Freud and Lacan, Ronen reconsiders the aesthetic tradition from Plato through Kant and later philosophers of art in order to establish an ethics of art. An interdisciplinary study, Art before the Law is sure to be of interest both to academic philosophers and to those interested in psychoanalytic theory and practice.

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Product Details

  • World Rights
  • Page Count: 200 pages
  • Illustrations: 7
  • Dimensions: 6.4in x 0.8in x 9.3in
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SKU# SP003762

  • PUBLISHED APR 2014

    From: $43.50

    Regular Price: $58.00

    ISBN 9781442647886
  • PUBLISHED MAR 2014

    From: $43.50

    Regular Price: $58.00

Quick Overview

Ever since Plato expelled the poets from his ideal state, the ethics of art has had to confront philosophy’s denial of art’s morality. In Art before the Law, Ruth Ronen proposes a new outlook on the ethics of art by arguing that art insists on this tradition of denial, affirming its singular ethics through negativity.

Art before the Law: Aesthetics and Ethics

By Ruth Ronen

© 2014

Ever since Plato expelled the poets from his ideal state, the ethics of art has had to confront philosophy’s denial of art’s morality. In Art before the Law, Ruth Ronen proposes a new outlook on the ethics of art by arguing that art insists on this tradition of denial, affirming its singular ethics through negativity.

Ronen treats the mechanism of negation as the basis for the relationship between art and ethics. She shows how, through moves of denial, resistance, and denouncement, art exploits its negative relation to morality. While deception, fiction, and transgression allegedly locate art outside morality and ethics, Ronen argues they enable art to reveal the significance of the moral law, its origins, and the idea of the good. By employing the thought of Freud and Lacan, Ronen reconsiders the aesthetic tradition from Plato through Kant and later philosophers of art in order to establish an ethics of art. An interdisciplinary study, Art before the Law is sure to be of interest both to academic philosophers and to those interested in psychoanalytic theory and practice.

Continue Reading Read Less

Product Details

  • World Rights
  • Page Count: 200 pages
  • Illustrations: 7
  • Dimensions: 6.4in x 0.8in x 9.3in
  • Reviews

    “There is much to prize and admire in Art before the Law. Ruth Ronen’s arguments are clear and precise, her scholarship is sound and up to date, and her thesis is ground-breaking.”


    Alenka Zupancic, Professor of Philosophy and Psychoanalysis, European Graduate School

    Art before the Law is work of rigorous, original, and trenchant thought which engages with a broad sweep of texts, bringing exciting interpretations of classic works of psychoanalysis, philosophy, and literature.”


    Dominique Hecq, Department of Media and Communication, Swinburne University of Technology
  • Author Information

    Ruth Ronen is a professor in the Department of Philosophy at Tel Aviv University.
  • Table of contents

    Introduction: By Way of the Law

    Chapter 1: By Way of Negation

    Chapter 2: By Way of Beauty

    Chapter 3: By Way of Truth

    Chapter 4: By Way of Deception - With Efrat Biberman (Holon Institute of Technology, Design)

    Chapter 5: By Way of Prohibition

    Conclusion

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