Between Rhyme and Reason: Vladimir Nabokov, Translation, and Dialogue

By Stanislav Shvabrin

© 2019

The author of such global bestsellers as Lolita and Pale Fire, Vladimir Nabokov (1899–1977) is also one of the most controversial literary translators and translation theorists of modern time. In Between Rhyme and Reason, Stanislav Shvabrin discloses the complexity, nuance, and contradictions behind Nabokov’s theory and practice of literalism to reveal how and why translation came to matter to Nabokov so much.

Drawing on familiar as well as unknown materials, Shvabrin traces the surprising and largely unknown trajectory of Nabokov’s lifelong fascination with translation to demonstrate that, for Nabokov, translation was a form of intellectual communion with his peers across no fewer than six languages. Empowered by Mikhail Bakhtin’s insights into the interactive roots of literary creativity, Shvabrin’s interpretative chronicle of Nabokov’s involvement with translation shows how his dialogic encounters with others in the medium of translation left verbal vestiges on his own creations. Refusing to regard translation as a form of individual expression, Nabokov translated to communicate with his interlocutors, whose words and images continue to reverberate throughout his allusion-rich texts.

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Product Details

  • World Rights
  • Page Count: 440 pages
  • Dimensions: 6.5in x 1.3in x 9.3in
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SKU# SP004842

  • PUBLISHED MAY 2019

    From: $56.25

    Regular Price: $75.00

    ISBN 9781487502997
  • PUBLISHED MAY 2019

    From: $56.25

    Regular Price: $75.00

Quick Overview

Using familiar and previously unknown materials, Stanislav Shvabrin has created an interpretative chronicle of Vladimir Nabokov’s dialogic engagement with his peers in the field of literary translation, mapping his evolution as translator and translation theorist.

Between Rhyme and Reason: Vladimir Nabokov, Translation, and Dialogue

By Stanislav Shvabrin

© 2019

The author of such global bestsellers as Lolita and Pale Fire, Vladimir Nabokov (1899–1977) is also one of the most controversial literary translators and translation theorists of modern time. In Between Rhyme and Reason, Stanislav Shvabrin discloses the complexity, nuance, and contradictions behind Nabokov’s theory and practice of literalism to reveal how and why translation came to matter to Nabokov so much.

Drawing on familiar as well as unknown materials, Shvabrin traces the surprising and largely unknown trajectory of Nabokov’s lifelong fascination with translation to demonstrate that, for Nabokov, translation was a form of intellectual communion with his peers across no fewer than six languages. Empowered by Mikhail Bakhtin’s insights into the interactive roots of literary creativity, Shvabrin’s interpretative chronicle of Nabokov’s involvement with translation shows how his dialogic encounters with others in the medium of translation left verbal vestiges on his own creations. Refusing to regard translation as a form of individual expression, Nabokov translated to communicate with his interlocutors, whose words and images continue to reverberate throughout his allusion-rich texts.

Continue Reading Read Less

Product Details

  • World Rights
  • Page Count: 440 pages
  • Dimensions: 6.5in x 1.3in x 9.3in
  • Reviews

    "Between Rhyme and Reason is a substantial and substantive piece of research. Stanislav Shvabrin offers a comprehensive examination of Nabokov’s translation practice from his youth until near the end of his life, including both poetry and prose works. In looking at specific texts, Shvabrin not only describes in detail the individual technical and artistic features of the work under analysis but also reveals how Nabokov’s engagement with a given text may have influenced the development of his own art."


    Julian Connolly, Department of Slavic Languages and Literatures, University of Virginia

    "Although much attention has always been given to Nabokov’s infamous Onegin translation and commentary, no one has previously thought of approaching Nabokov’s translation work as a coherent and revealing thread running the full length of his creative life, a perspective which enlightens our understanding of not only the Onegin project itself but the very beginning, evolution, and realization of Nabokov’s artistic vision and practice. Shvabrin’s study provides this crucial yet missing element, and more."


    Stephen Blackwell, Russian Program, Department of Modern Foreign Languages and Literatures, University of Tennessee, Knoxville
  • Author Information

    Stanislav Shvabrin is an assistant professor of Russian in the Department of Germanic and Slavic Languages and Literatures at the University of North Carolina, Chapel Hill.
  • Table of contents

    Introduction

    1. Before Sirin
    2. Before Nabokov
    3. Before Eugene Onegin
    4. Eugene Onegin in its Element
    5. Beyond Eugene Onegin

    Conclusion

    Bibliography
    Index

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