Pushkin's Monument and Allusion: Poem, Statue, Performance

By Sidney Eric Dement

© 2019

In August of 1836 Alexander Pushkin wrote a poem now popularly known simply as "Monument." He died a few months later in January of 1837. In the decades following his death, the poem "Monument" was transformed into a statue in central Moscow: the Pushkin Monument. At its dedication in 1880, the interaction between the verbal text and the visual monument established a creative dynamic that subsequent generations of artists and thinkers amplified through the use of allusion, the aesthetic device by which writers reference select elements of cultural history to enrich the meaning of their new creation and invite their reader into the shared experience of a tradition.

The history of the Pushkin Monument reveals how allusive practice becomes more complex over time. By the twentieth century, both writers and readers negotiated increasingly complex allusions not only to Pushkin’s poem, but to its statuesque form in Moscow and the many performances that took place around it. As the population of newly literate Russians grew throughout the twentieth century, images of the future poet and the naive reader became crucial signifiers of the most meaningful allusions to the Pushkin Monument. Because of this, the story of Pushkin’s Monument is also the story of cultural memory and the aesthetic problems that accompany a cultural history that grows ever longer as it moves into the future.

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Product Details

  • Division: Scholarly Publishing
  • World Rights
  • Page Count: 288 pages
  • Dimensions: 6.0in x 0.0in x 9.0in
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SKU# SP005523

  • AVAILABLE OCT 2019

    From: $56.25

    Regular Price: $75.00

    ISBN 9781487505523
  • AVAILABLE OCT 2019

    From: $56.25

    Regular Price: $75.00

Quick Overview

Pushkin’s Monument and Allusion is the first aesthetic analysis of Russia’s most famous monument to its greatest poet, Alexander Pushkin.

Pushkin's Monument and Allusion: Poem, Statue, Performance

By Sidney Eric Dement

© 2019

In August of 1836 Alexander Pushkin wrote a poem now popularly known simply as "Monument." He died a few months later in January of 1837. In the decades following his death, the poem "Monument" was transformed into a statue in central Moscow: the Pushkin Monument. At its dedication in 1880, the interaction between the verbal text and the visual monument established a creative dynamic that subsequent generations of artists and thinkers amplified through the use of allusion, the aesthetic device by which writers reference select elements of cultural history to enrich the meaning of their new creation and invite their reader into the shared experience of a tradition.

The history of the Pushkin Monument reveals how allusive practice becomes more complex over time. By the twentieth century, both writers and readers negotiated increasingly complex allusions not only to Pushkin’s poem, but to its statuesque form in Moscow and the many performances that took place around it. As the population of newly literate Russians grew throughout the twentieth century, images of the future poet and the naive reader became crucial signifiers of the most meaningful allusions to the Pushkin Monument. Because of this, the story of Pushkin’s Monument is also the story of cultural memory and the aesthetic problems that accompany a cultural history that grows ever longer as it moves into the future.

Continue Reading Read Less

Product Details

  • Division: Scholarly Publishing
  • World Rights
  • Page Count: 288 pages
  • Dimensions: 6.0in x 0.0in x 9.0in
  • Author Information

    Sidney Eric Dement is an assistant professor in the Department of German and Russian Studies at Binghamton University.
  • Table of contents

    Illustrations 
    Acknowledgments 
    Introduction 
    Dimensions of the Pushkin Monument
     
    1. Pushkin’s Poem: Monument and Allusion (1811–1836) 
    2. Opekushin’s Pushkin Monument: Statue and Performance (1836–1880) 
    3. Bulgakov’s Master and Margarita: Crisis of the Future Poet (1880–1937) 
    4. Toporov’s Petersburg Text: Rejecting the Statue (1937–2003)  
    5. Tolstaia’s Slynx: Disfiguring the Monument (1986–2000) 

    Conclusion 
    Allusion and the Naive Reader 
    Appendix 
    Bibliography 
    Notes