The Illustrated Old English Hexateuch, Cotton Ms. Claudius B.iv: The Frontier of Seeing and Reading in Anglo-Saxon England

By Benjamin C. Withers

© 2007

The Old English Hexateuch is a manuscript of the earliest vernacular translation of the Old Testament books of Genesis through Joshua. The texts belong, in part, to the Anglo-Saxon monk Aelfric (950?-1010?) and to several anonymous translators and at least one artist who compiled these translations and illustrated them with nearly four hundred narrative images, which are carefully integrated into the manuscript.

The Hexateuch testifies to the creativity and innovation of Anglo-Saxon bookmakers and stands as an important, if little known, witness to the relationship between early book-making technology and the history of literacy. Benjamin C. Withers examines codicological features of the manuscript, focusing on the working processes of the artist and scribes and seeking to understand how they integrated newly translated text with newly developed imagery so deftly. Grounded in art history and literary theory, this work considers the narrative relationships created by the careful design and seeks to place the Hexateuch within the broader social and cultural development of vernacular literacy in the eleventh century.

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Product Details

  • Series: Studies in Book and Print Culture
  • World Rights
  • Page Count: 464 pages
  • Dimensions: 6.4in x 1.3in x 9.3in
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SKU# SP002300

  • PUBLISHED AUG 2007

    From: $81.00

    Regular Price: $108.00

    ISBN 9780802091048

Quick Overview

Grounded in art history and literary theory, this work considers the narrative relationships created by the careful design and seeks to place the Hexateuch within the broader social and cultural development of vernacular literacy in the eleventh century.

The Illustrated Old English Hexateuch, Cotton Ms. Claudius B.iv: The Frontier of Seeing and Reading in Anglo-Saxon England

By Benjamin C. Withers

© 2007

The Old English Hexateuch is a manuscript of the earliest vernacular translation of the Old Testament books of Genesis through Joshua. The texts belong, in part, to the Anglo-Saxon monk Aelfric (950?-1010?) and to several anonymous translators and at least one artist who compiled these translations and illustrated them with nearly four hundred narrative images, which are carefully integrated into the manuscript.

The Hexateuch testifies to the creativity and innovation of Anglo-Saxon bookmakers and stands as an important, if little known, witness to the relationship between early book-making technology and the history of literacy. Benjamin C. Withers examines codicological features of the manuscript, focusing on the working processes of the artist and scribes and seeking to understand how they integrated newly translated text with newly developed imagery so deftly. Grounded in art history and literary theory, this work considers the narrative relationships created by the careful design and seeks to place the Hexateuch within the broader social and cultural development of vernacular literacy in the eleventh century.

Continue Reading Read Less

Product Details

  • Series: Studies in Book and Print Culture
  • World Rights
  • Page Count: 464 pages
  • Dimensions: 6.4in x 1.3in x 9.3in
  • Reviews

    ‘An informative and stimulating monograph extending the bounds of interdisciplinary approach… Withers study is meticulously presented and argued, and represents a valuable contribution to the study of not only of this manuscript, but the Anglo-Saxon book in general.’
    Daniel Anlezarck
    Medium Aevum; vol 80(1) (8)
  • Author Information

    Benjamin C. Withers is an associate professor and chair in the Department of Art at the University of Kentucky.

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