The Unmaking of Home in Contemporary Art
In a world where the notion of home is more traumatizing than it is comforting, artists are using this literal and figurative space to reframe human responses to trauma.
Building on the scholarship of key art historians and theorists such as Judith Butler and Mieke Bal, Claudette Lauzon embarks upon a transnational analysis of contemporary artists who challenge the assumption that ‘home’ is a stable site of belonging. Lauzon’s boundary-breaking discussion of artists including Krzysztof Wodiczko, Sanitago Sierra, Doris Salcedo, and Yto Barrada posits that contemporary art offers a unique set of responses to questions of home and belonging in an increasingly unwelcoming world. From the legacies of Colombia’s ‘dirty war’ to migrant North African workers crossing the Mediterranean, The Unmaking of Home in Contemporary Art bears witness to the suffering of others whose overriding notion of home reveals the universality of human vulnerability and the limits of empathy.
- Series: Cultural Spaces
- Division: Scholarly Publishing
- World Rights
- Page Count: 224 pages
- Illustrations: 50
- Dimensions: 6.0in x 0.0in x 9.0in
"Lauzon marshals a wide range of theoretical texts and complex philosophical ideas, but she doesn’t get bogged down because her writing is crisp, clear, and lively."
Jane Blocker, Department of Art History, University of Minnesota
"The Unmaking of Home in Contemporary Art is an elegant argument about the loss of home, and the idea of home as a safe and secure environment."
Julia Creet, Department of English, York University
Author InformationClaudette Lauzon is an assistant professor in the School for the Contemporary Arts at Simon Fraser University.
Table of contents
Chapter 1. An Unhomely Genealogy of Contemporary Art
Chapter 2. The Art of Longing and Belonging
Chapter 3. Unhomely Archives
Chapter 4. Biennial Culture’s Reluctant Nomads
Subjects and Courses