Art / Art History / Medieval Art

Renowned art historian Herbert L. Kessler authors a love song to medieval art inviting students, teachers, and professional medievalists to experience the wondrous, complex art of the Middle Ages.

In this newest edition of her bestselling book, Barbara H. Rosenwein integrates the history of European, Byzantine, and Islamic medieval cultures—as well as their Eurasian connections—in a dynamic narrative.

In this newest edition of her bestselling book, Barbara H. Rosenwein integrates the history of European, Byzantine, and Islamic medieval cultures—as well as their Eurasian connections—in a dynamic narrative. This volume spans the period c.300 to c.1150.

In this newest edition of her bestselling book, Barbara H. Rosenwein integrates the history of European, Byzantine, and Islamic medieval cultures—as well as their Eurasian connections—in a dynamic narrative. This volume spans the period c.900 to c.1500.

In his thoughtful introduction, Novikoff explores the term "twelfth-century renaissance" and whether or not it should be applied to a range of thinkers with differing outlooks and attitudes.

Alongside studies of the Alexander legend in medieval and early modern Latin, English, French, German, and Persian, Alexander the Great in the Middle Ages breaks new ground by examining rarer topics such as Hebrew Alexander romances, Coptic and Arabic Alexander materials, and early modern Malay versions of the Alexander legend.

Illuminators and Patrons in Fourteenth-Century England is a richly illustrated study of a psalter and book of hours made for Humphrey de Bohun (d. 1373), the vastly wealthy earl of Hereford, Essex, and Northampton.

In this first comprehensive study of the Taymouth Hours, Kathryn A. Smith traces the manuscript’s origin to Philippa of Hainault, queen of Edward III, and Edward’s sister, the thirteen-year-old Eleanor of Woodstock.

The Allegory of the Church is the first full-length study of Romanesque verse inscriptions in the context of church portals and portal sculpture, and is the product of a twenty-year study.

Each section of Flowers in Medieval Manuscripts includes relevant details of the manuscripts from which the illustrations are taken, and the concluding section discusses manuscript production in relation to these margins.

The Making of Medieval Forgeries further discusses the 'multiplicity of audiences' for forgeries: those that produce, those that approve, and those that are hostile.

Combining her historical knowledge with practical experience of recreating medieval gardens in various sites in England, Landsberg explains how she designed Queen Eleanor's garden at Winchester and Brother Cadfael's physic garden at Shrewsbury.

Illustrations in liturgical books, such as breviaries and missals, as well as books of private devotion, such as psalters and books of hours, reveal the world of the Church in the Middle Ages in vivid detail.

By examining the manuscript of The Book of Kells (8th or 9th century AD) in its political, social, historical, and religious contexts, Farr provides a fresh perspective on this most famous of insular illuminated texts.

An anthology of medieval texts on art.