Film & Performance Studies / Music

This study investigates how the medium of sound and its most representative art form of music enable Virginia Woolf to develop fresh concepts and methods in her experimental fiction.

Silvia Bermúdez’s fascinating study reveals how Spanish popular music, produced between 1980 and 2013, was the first cultural site to engage in critical debate about ethnicity and race in relation to the immigration patterns that have been changing the social landscape of Spanish society since the late 1970s.

In The Necessity of Music, Celia Applegate explores the many ways that Germans thought about and made music from the eighteenth- to twentieth-centuries.

For more than thirty years, musician Carlos Varela has been a guide to the heart, soul, and sound of Havana. My Havana is a lyrical exploration of Varela’s life and work, and of the vibrant musical, literary, and cinematic culture of his generation.

Stephanie Sieburth’s Survival Songs explores how a genre of Spanish popular music, the copla, as sung by legendary performer Conchita Piquer, helped Republican sympathizers to survive the Franco regime’s dehumanizing treatment following the Spanish Civil War (1936–39).

Structures of Feeling in Seventeenth-Century Cultural Expression explores how artists made use of various cultural forms - notably the visual arts, poetry, theatre, music, and dance - to grapple with human values in the increasingly heterodox world of the 1600s.

An invaluable resource and an absorbing read, Canuck Rock spans from the emergence of rock and roll in the 1950s through to today's international recording industry.

In Wagner and the Wonder of Art, renowned opera expert M. Owen Lee provides an introduction to the opera and an analysis that will surprise even those veteran operagoers who may not have explored the work’s intricate structure and the emotional drama at its centre.

Drawing on music treatises and archival sources as well as poems, paintings, and engravings, this unique study aims to enrich our understanding of the interplay of poetry, music, and art in this period, and highlights the importance of musical materiality to Renaissance culture.

The combined perspectives that result from this collaboration provide new and challenging insights into the powerful, resonant myth of a painful encounter between East and West.

Dixon does a great service to Canadian culture with this analytic study of the music of a celebrated twentieth-century figure.

Slocum analyzes the image of Thomas Becket as presented in the liturgies composed in his honour, and examines these within the context of the political and social history of the late twelfth and early thirteenth centuries.

The selection represents the state of the folk-song in Newfoundland today; in some part it documents what is lost and forgotten, but it also celebrates what has survived, and thrives.

The captivating story of Niki Goldschmidt's life, following his career as conductor, teacher, and artistic director, including his involvement in the founding of Canada's first opera school and the creation of festivals and tours across the country.

A history of vocal pedagogy from the beginning of the bel canto tradition of solo singing in the late 16th century and dealing extensively with such topics as the emergence of virtuoso singing, national singing styles, and the 'secrets' of bel canto.