Film & Performance Studies / Theatre & Drama

This ethnographic study explores notions of hope and care by examining how theatre-making with young people might cultivate practices, relationships, and values that support them in engaged, creative, and ethical forms of citizenship.

Languages of Trauma explores how, and for what purposes, trauma is expressed in historical sources and visual media.

This book explores early modern Spanish plays through the lens of social justice, extending its analysis to contemporary adaptations and how they can be used as a tool for achieving social justice today.

Dancing Queen takes up court ballet as a window into Marie de Médicis’s use of the performing arts as a vehicle for politically engaged queenship prior to Henri IV’s assassination in 1610.

Theatre of Anger examines contemporary transnational theatre in Berlin through the political scope of anger, and its trajectory from Aristotle all the way to Audre Lorde and bell hooks.

This ethnographic play and supporting commentary contribute to the development of disability anthropology, and to a conversation about the use of performance methodologies in anthropology and ethnographic research.

This book seeks to redefine, recontextualize, and reassess Italian neorealism – an artistic movement characterized by stories set among the poor and working class – through innovative close readings and comparative analysis.

The Dramaturgy of the Spectator describes the development of the modern theatre spectator, the modern playwright, and their complex relationship with sovereignty, power structures, and the emergent public sphere in the seventeenth through the eighteenth century.

Insecurity: Perils and Products of Theatres of the Real begins with the premise that although the inclusion of real objects and real words on the stage would ostensibly seem to increase the epistemological security and documentary truth-value of the presentation, in fact the opposite is the case.

In this collection, leading scholars tackle subjects and disciplines as diverse as alchemy, optics, astronomy, acoustics, geometry, mechanics, and mathematics to reveal how theatre in early modern Spain could be used to deploy scientific knowledge.

By considering works including Friar Bacon and Friar Bungay, the revised Spanish Tragedy, and The Tempest, Nardizzi demonstrates how the “trees” within them were used in imaginative ways to mediate England’s resource crisis.

In Ambiguous Antidotes, Hilaire Kallendorf explores the receptions of Virtues in the realm of moral philosophy and the artistic production it influenced during the Spanish Gold Age.

This volume presents the first translation of Wu Han's plays and helps to clarify the obscure origins of a national phenomenon that was at once intellectual, social, and political.

Winner of the Northeast Modern Language Association's Book Prize, National Performance is sophisticated yet accessible, seeking to enlarge the parameters of what counts as 'Quebecois' performance, while providing a thorough introduction to changing discourses of nation-ness in Quebec.

Kathleen Gallagher and Barry Freeman bring together nineteen playwrights, actors, directors, scholars, and educators who discuss the role that theatre can – and must – play in professional, community, and educational venues.

In the first in-depth study of the interconnected relationships among public theatre, custodial institutions, and women in early modern Spain, Margaret E. Boyle explores the contradictory practices of rehabilitation enacted by women both on and off stage.