This revised and expanded bibliography introduces readers to the vast and illustrious scholarly career of Paul Robert Magocsi, the Chair of Ukrainian Studies at the University of Toronto.

Beowulf as Children’s Literature brings together a group of scholars and creators to address important issues of adapting the Old English poem into textual and pictorial forms that appeal to children, past and present.

With a focus on the economic, social, and political impetus for producing monuments to knowledge, this volume recognizes the encyclopedic compilation as the quintessential tool of enlightenment knowledge transfer.

Finding Nothing explores the eruption of avant-garde writing in Vancouver that re-invented the culture of the city in the second half of the twentieth century.

This collection offers a variety of scholarly views on illustrated books for Soviet children, covering everything from artistic innovation to state propaganda.

Written more than half a century before Sir Philip Sidney’s well-known Apology for Poetry, Erasmus’ Ratio or ‘System’ is an almost lost masterpiece of Renaissance literary theory and interpretive practice, now available for the first time in English in a convenient student edition.

Available for the first time in English and in graphic novel format, Lazarillo de Tormes is a gritty and shocking classic that is frequently compared to Don Quixote.

This work presents the unpublished and largely unknown writings of the missionary James Scarth Gale, one of the most important scholars and translators in modern Korean history.

As a vehicle for outstanding creativity, the typewriter has been taken for granted and was, until now, a blind spot in the history of writing practices.

Topographies of Fascism offers the first comprehensive exploration of how Spanish fascist writing – essays, speeches, articles, propaganda materials, poems, novels, and memoirs – represented and created space from the early 1920s until the late 1950s.

Applying media theory to late-Victorian print, Making Pictorial Print shows how popular illustrated magazines developed a new design interface that encouraged dynamic engagement and media literacy in the British public.

Reading Old English Biblical Poetry proposes new ways of engaging with a well-known text and serves as a fascinating case study for reading in early medieval England.

Tim Conley’s Useless Joyce provocatively analyses Joyce’s Ulysses and Finnegans Wake and takes the reader on a journey exploring the perennial question of the usefulness of literature and art.

‘Paper-contestations’ and Textual Communities in England challenges traditional readings of literary history and proposes a fresh approach to the politics of consensus and contestation that distinguishes current scholarly debates about this period.

Through an integrative historicist approach to a wide range of literary texts and archival documents, The Stages of Property makes an important statement about the cultural, societal, and political roles of the theatre in Spain during the 1800s.

The L.M. Montgomery Reader traces the author’s enduring legacy as a Canadian icon and as a literary celebrity both during and beyond her lifetime.