Renaissance Studies / Renaissance Art

Kissing the Wild Woman's analysis of this little-known work adds a new dimension to the study of Renaissance aesthetics in relation to art history, Renaissance thought, women's studies, and Italian literature.

Visual Experiences in Cinquecento Theatrical Spaces explores the performative aspects of early modern theatre architecture and design, explicating the aesthetic function of pictorial displacements, visual anomalies, and architectural paradoxes

Award-winning historian Kenneth R. Bartlett applies his decades of experience teaching the Italian Renaissance to this new and beautifully illustrated overview.

These essays examine a variety of cultural objects described or alluded to in books from the Golden Age of Spanish literature, including clothing, paintings, tapestries, playing cards, monuments, materials of war, and even enchanted bronze heads.

Wackernagel stresses the changing roles of commissions and patrons in the late fourteenth to the early fifteenth centuries, from small-scale enterprise under Lorenzo de Medici to the large-scale development of major Florentine monuments.

Bailey provides us with a new understanding of the stylistic and iconographic strands which shortly afterward were woven together to form the Baroque.

Lavishly illustrated, Medici Women: Portraits of Power, Love and Betrayal in the Court of Duke Cosimo I is an indispensable work for anyone with a passion for Italian renaissance history, art, and court culture.

Dolce’s Dialogo della pittura first appeared in Venice in 1557 and consists of a three-part dialogue between two Venetians, Aretino and Fabrini, on the particular merits of works of art and artists, including Michaelangelo, Raphael, and Donatello.

The name of P. Samuel Rubio is known to students of Renaissance polyphony for his scholarly articles in learned periodicals, his editorship of different collections of sacred polyphony, and through his edition of the motets of Victory -- Tomás Luis de Victoria, Motetes, Vols. 1-4.

George Campman (1559-1634) is one of the most important literary figures of the English Renaissance. This book is the first full-length critical study in English of all his works, poems, plays, and translations, considered in detail in relation to their genres, and in terms of Chapman's intellectual and aesthetic development.