Renaissance Studies / Renaissance History

This volume contains the first translation of Erasmus' response to two of his fiercest Spanish critics.

Boccaccio’s Florence draws on extensive archival research to reveal Boccaccio as a political figure and to show how deeply politics impacted his life and his work.

This book provides an alternative understanding to Machiavelli’s Renaissance Italy.

This collection of essays provides a panoramic view of Spanish gastronomy and etiquette from the Middle Ages to the present.

This final volume of the Correspondence subseries of the Collected Works of Erasmus includes the letters from Erasmus’ final years.

Bringing together themes in the history of art, punishment, religion, and the history of medicine, Picturing Punishment provides new insights into the wider importance of the criminal to civic life.

Chocolate traces representations of chocolate in Spanish literature and historical documents, providing a fascinating and worldly narrative about one of the most beloved foods of all time.

Written more than half a century before Sir Philip Sidney’s well-known Apology for Poetry, Erasmus’ Ratio or ‘System’ is an almost lost masterpiece of Renaissance literary theory and interpretive practice, now available for the first time in English in a convenient student edition.

The thirteen months covered in this volume reveal the decline of Erasmus' health and the creation of his most famous work, On Preparing for Death.

The Court and Its Critics focuses on the disillusionment with courtliness, the derision of those who live at court, and the open hostility toward the court, themes common to Renaissance culture.

The first biography of the Jewish poet and polemicist Sarra Copia Sulam situates her in the tradition of women’s writing in Venice and explores her rise and fall as a public intellectual in the tumultuous world of the city’s presses.

This volume includes Erasmus’s correspondence for the months April 1532 to April 1533.

Contesting theories of print as a monologic, uniform, and unifying form, Reading by Design investigates 16th and 17th century print as a uniquely multi-sensory and interactive medium.

CWE 41 is intended as an essential companion to the full range of Erasmus scholarship on the New Testament, as it is translated, annotated and presented in Volumes 42-60.

Despite having enemies in the powerful Spanish religious orders, and being warned of the controversies that would arise, Erasmus published the fourth edition of his New Testament in 1527, resulting in a major crisis for Erasmianism in Spain. The three texts in the present volume were written in response to his critics.