Theatre & Drama

Drawing the Curtain examines the ways in which Miguel de Cervantes experiments with theatre and exploits theatricality in his diverse literary creations.

This is the first English-language annotated edition of La reina di Scotia, one of the earliest dramatic works depicting the tragic end of Mary Queen of Scots.

This ethnographic study explores notions of hope and care by examining how theatre-making with young people might cultivate practices, relationships, and values that support them in engaged, creative, and ethical forms of citizenship.

Cures for Chance examines how early modern dramatic representations of adoption test conventional notions of family and nature.

Providing a fresh examination of the relationship between literary and legal communities, Communal Justice in Shakespeare’s England examines the literature of the communal justice in early modern England.

This book probes occluded depictions of queerness in early English drama, ranging from medieval morality plays to Reformation interludes and beyond.

This book explores early modern Spanish plays through the lens of social justice, extending its analysis to contemporary adaptations and how they can be used as a tool for achieving social justice today.

Theatre of Anger examines contemporary transnational theatre in Berlin through the political scope of anger, and its trajectory from Aristotle all the way to Audre Lorde and bell hooks.

This ethnographic play and supporting commentary contribute to the development of disability anthropology, and to a conversation about the use of performance methodologies in anthropology and ethnographic research.

Based on meticulous research in the archives of some of the most prominent Italian avant-garde writers, Poetry on Stage examines the literary and ideological climate of the sixties and seventies.

Thoughtful and thorough, Untimely Death in Renaissance Drama explores the interplay between historiography and Renaissance English drama.

This is the first book to provide a full treatment of Shakespeare’s literary and theatrical engagement with the Italian novella and female agency.

The Dramaturgy of the Spectator describes the development of the modern theatre spectator, the modern playwright, and their complex relationship with sovereignty, power structures, and the emergent public sphere in the seventeenth through the eighteenth century.

Premodern Ecologies explores how places, both local and global, shape scholarship on medieval and Renaissance English literature.

Insecurity: Perils and Products of Theatres of the Real begins with the premise that although the inclusion of real objects and real words on the stage would ostensibly seem to increase the epistemological security and documentary truth-value of the presentation, in fact the opposite is the case.