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This book examines the literary representation of gardens – a widespread motif in late medieval vernacular fiction – and the redeployment of classical material via vernacular translation.

This collection of original essays from leading scholars breaks new ground in our understanding of the tales belonging to the Ninth Day of the ​Decameron.

Examining Dante's life-long dialogue with Augustine from a new point of view, Marchesi goes beyond traditional inquiries to engage more technical questions relating to Dante's evolving ideas on how language, poetry, and interpretation should work.