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At the time of publication, this book was the first to address the problem of how to perform medieval and Renaissance music. It is intended for both the amateur performing musician and the serious student.

Beckwith’s career as a composer, performer, teacher, administrator, author, editor, and promoter of Canadian music is unparalleled. It is fitting, then, that this group of papers, organized as a tribute to him, reflects not only his contribution, but also the current major directions of Canadian music.

This book looks at Pentland's life and career as she moves from her native Winnipeg to study in Montreal, Paris, and New York and at Tanglewood with Aaron Copland, and becoming known as a performer and composer.