Collected Works of Northrop Frye

This volume brings together Frye's extensive writings on Shakespeare and other Renaissance writers (excluding Milton, who is featured in other volumes), and includes major articles, introductions, public lectures, and four previously published books on Shakespeare.

Michael Dolzani divides these notes into three categories: those on Spenser and the epic tradition; those on Shakespearean drama and, more widely, the dramatic tradition from Old Comedy to the masque; and those on lyric poetry and non-fiction prose.

This fully annotated volume contains seventeen holograph notebooks, each illuminating some aspect of the grand structure that eventually emerged. Altogether, the notebooks offer an intimate picture of Frye's working process and a renewed appreciation for his magisterial accomplishment.

The writings included in this volume show how Frye integrated ideas into the work that would consolidate the fame that Fearful Symmetry (1947) had first established.

This collection of 266 letters, cards, and telegrams that Helen Kemp and Northrop Frye wrote to each other forms a compelling narrative of their early relationship. The letters reveal Frye’s early talent as a writer.

No mere culmination of the entries in the individual volumes, the index presents a careful re-thinking of each topic to bring out vividly the contours of Frye's thought.

his new edition in the Collected Works of Northrop Frye series brings The Secular Scripture together with thirty shorter pieces pertaining to literary theory and criticism from the last fifteen years of Frye’s life.

This volume is an invaluable contribution to studies on Frye, as well as to Romantic and Victorian literature.

Angela Esterhammer, a student of Frye's in the 1980s, has provided annotation and an introduction that demonstrates the poets' importance for Frye's literary and cultural criticism and provides a twenty-first-century perspective on the legacy of his work.

These are the notebooks that Northrop Frye kept while writing his two final books, "Words with Power" and "The Double Vision", essentially workshops out of which the books were constructed.

This unique collection of twenty-two papers was written by Northrop Frye during his student years. Made public only after Frye's death in 1991, all but one of the essays are published here for the first time.

This volume, which collects Northrop Frye's writings on the theory of literary criticism from the middle period of his career, includes one of Frye's own favourites, The Critical Path (1971).

For anyone interested in the life and career of Northrop Frye, these interviews are an ideal way to gain greater insight into the man and his work.

These miscellaneous writings offer further evidence of Frye’s fertile mind, quick wit, expansive imagination, and eloquence.

Given the current popular revival of romance in fiction and film, the appearance of Frye's unpublished work on romance is of profound importance.

Brings together all of the writings of Northrop Frye, both published and unpublished, on the subject of Canadian literature and culture, from his early book reviews of the 1930s and 1940s through his cultural commentaries of the 60s, 70s, and 80s.