University of Toronto Romance Series

Analysing the works of literary naturalists writing about art, this book argues for the importance of disorder in the French art world in the nineteenth century.

Perfume on the Page in Nineteenth-Century France explores literature, medicine, fashion, and social practices during the rise of modern French perfume culture.

Unselfing offers an account of the ways that global French writers have tried to capture experiences when the ordinary sense of the self as a source of unity, stability, and authority has been radically altered.

In Forms of Modernity, Rachel Schmidt examines how seminal theorists and philosophers have wrestled with the status of Cervantes' Don Quixote is as an 'exemplary novel', in turn contributing to the emergence of key concepts within genre theory.

The Persistence of Presence analyzes the relationship between emblem books, containing combinations of pictures and texts, and Spanish literature in the early modern period.

Victims of the Book shows how the adolescent male reader became a subject of grave social concern in late-nineteenth-century France and how a new generation of writers later reworked the novel to subvert cultural norms about masculinity.

In Telling Anxiety, Jennifer Willging examines manifestations of such anxieties in the selected narratives of four women writing in French.

Writing by Ear examines the explicit articulation of listening-in-writing found in the work of Brazilian novelist Clarice Lispector. The terms “writing by ear,” the “aural novel,” and “echopoetics” rethink fiction as a poetics of listening to the world.

French Écocritique is the first book-length study of the culturally specific ways in which contemporary French literature and theory raise questions about nature and environment.

Objects Observed explores the central place given to the object by a number of poets in France and in America in the twentieth century.

David J. Bond provides the first comprehensive study of Jacque Chessex's work in any language—a study that reveals Chessex’s deep ambivalence towards his Calvinist heritage and his efforts to resolve this dilemma through his texts. 

Gretchen Schultz explores how male writers and their readers in late nineteenth-century France took lesbianism as a cipher for apprehensions about sex and gender during a time of social and political upheaval. 

In Marginal Subjects, Akiko Tsuchiya shows how the figure of the deviant woman—and her counterpart, the feminized man - revealed the ambivalence of literary writers towards new methods of social control in Restoration Spain.

Theoretically eclectic and methodologically innovative, Transnational Cervantes opens up many avenues for research and debate, aiming to bring Cervantes' writings forward into the brave new world of our postcolonial age.

Calin develops a synthesis of medieval French and English literature that will be especially useful for classroom study.

Postcolonial Counterpoint is a critical study of Orientalism and the state of Francophone and postcolonial studies, examined through the lens of the historical and cross-cultural relations between France and North Africa.