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  • Diagnosis: Truths and Tales Book Giveaway

    CONTEST ALERT! Annemarie Goldstein Jutel's new book has been getting a lot of buzz since its recent release, and we thought you'd want to see what it's all about.

    Diagnosis: Truths and Tales shares stories told from the perspectives of those who receive diagnoses and those who deliver them. Confronting how we address illness in our personal lives and in popular culture, Jutel's book explores narratives of diagnosis while pondering the impact they have on how we experience health and disease.

    Want a copy for yourself? From July 2-7, follow us on Instagram, like our post announcing the book giveaway, and tag a friend. You'll be entered in a draw to win a FREE copy of Diagnosis: Truths and Tales!


    Terms and Conditions

    Open to residents of Canada (excluding the Province of Quebec)

    1. CONTEST PERIOD: The 2019 University of Toronto Press Instagram contest commences at 12:00 PM Eastern Time (“ET”) on July 2, 2019, and will end at July 7, 2019 (the “Contest Period”). All times are Eastern Times.
    2. RULES: By entering this Contest, entrants agree to abide by these Contest rules and regulations (the “Official Rules”). The decisions of the independent contest organization with respect to all aspects of the Contest are final. These rules are posted at https://utorontopress.com/ca/blog/2019/07/02/diagnosis-truths-and-tales-book-giveaway/.
    3. ELIGIBILITY: To enter the win the Contest and be eligible to win a Prize (see rule 6), a person (“Entrant”) must, at the time of entry, be a legal resident of Canada (excluding the Province of Quebec) who has reached the age of majority in his/her province or territory of residence. The following individuals and members of such person’s immediate family (including mother, father, brothers, sisters, sons, daughters, partner or spouse regardless of where they live) or persons with whom they are domiciled (whether related to the person or not) are not eligible to enter the Contest: employees, officers, directors, shareholders, owners, general and limited partners, agents, representatives, successors.
    4. HOW TO ENTER: During the Contest period, follow @utpress on Instagram, like the post that pertains to the Contest, and tag a friend. Limit one (1) entry per person per day during the contest Period regardless of method of entry. Any person who is found to have entered in a fashion not sanctioned by these Official Rules will be disqualified.
    5. PRIZE: The winner will receive one (1) print copy of Diagnosis: Truths and Tales.
    6. DRAW:
    7. The random draw will include all eligible entries, and will take place on July 8, 2019 at 12:00 PM at the University of Toronto Press offices, located at 800 Bay St. Mezzanine, Toronto, Ontario, M5S 3A9.
    8. The winner will be contacted via social media, and will be included in the announcement on Instagram. If a selected Entrant cannot be reached via social media within 7 days of the draw, then he/she will be disqualified and another Entrant will be randomly selected until such time as contact is made via social media with a selected Entrant that satisfies the foregoing requirements or there are no more eligible entries, whichever comes first. University of Toronto Press will not be responsible for failed attempts to contact a selected Entrant.
    9. CONDITIONS OF ENTRY: By entering the Contest, Entrants (i) confirm compliance with these Official Rules including all eligibility requirements, and (ii) agree to be bound by these Official Rules and by the decisions of University of Toronto Press, made in its sole discretion, which shall be final and binding in all matters relating to this Contest. Entrants who have not complied with these Official Rules are subject to disqualification.
    10. CONSENT TO USE PERSONAL INFORMATION: University of Toronto Press respects your right to privacy. The information you provided will only be used for the purpose of administering this Contest and prize fulfillment. For more information regarding University of Toronto Press’s privacy statement, please visit https://utorontopress.com/ca/privacy-policy.

     

  • Dragging Theory

    As she gets ready to celebrate the launch of her new book, Viva MˑAˑC author Andrea Benoit talks Judith Butler, the art of drag – and looks back to that notorious VIVA GLAM ad featuring RuPaul. During the month of June, proceeds from sales of Viva M·A·C will go to Casey House, a stand-alone hospital where people with HIV/AIDS can receive compassionate care without judgment.


    Written by guest blogger Andrea Benoit.

    Image courtesy of MˑAˑC Cosmetics.

    In season 9 of “RuPaul’s Drag Race,” drag queen Sasha Velour considered performing as philosopher and gender theorist Judith Butler for the infamous Snatch Game challenge, which showcases the queens' best celebrity impersonations in a game show setting. Aside from wondering what that would look like (and we’ll really never know as Sasha decided to perform as Marlene Dietrich instead, I was struck – yet again – at the prevalence of drag and how it’s now considered in wider and more popular contexts since the 1990s, when I talk about the art of drag in my new book, Viva MˑAˑC: AIDS, Fashion, and the Philanthropic Practices of MˑAˑC Cosmetics.

    Viva MˑAˑC  is the first cultural history of the originally Canadian cosmetics brand, and uncovers the origins of the company’s corporate philanthropy around HIV/AIDS awareness and fundraising. When MˑAˑC first started raising money through sales of its signature VIVA GLAM lipstick to support local AIDS organizations in 1994, AIDS was still largely a verboten subject for corporations. While many myths about AIDS were beginning to be dispelled, such as how HIV was transmitted, there was still great fear and rampant homophobia surrounding this medical condition.

    MˑAˑC chose the relatively unknown drag queen RuPaul to be its first spokesperson for VIVA GLAM and Chairperson of its new charity, the MˑAˑC AIDS Fund. In 1995, RuPaul appeared in the company’s first advertisement, a provocative image that portrayed him spelling out the letters of VIVA GLAM, including the notorious letter “M” that gloriously depicted his legs splayed wide-open. Twenty-five years later, the Fund has raised almost $500 million for AIDS organizations globally. RuPaul’s mantra of “loving yourself,” combined with his entertaining, over-the-top glamour, brought international attention to the MˑAˑC AIDS Fund, and made addressing the AIDS epidemic a bit more palatable to a mass audience. Much has changed since the 1980s and 1990s, when Viva MˑAˑC’s narrative takes place. Folks live with HIV for decades now, as it’s no longer an immediate death sentence, thanks to antiretroviral medications.

    And RuPaul is now famous. Back in early 2009, as I was beginning to outline the contours of what would eventually become my book, an intriguing new show called “RuPaul’s Drag Race” appeared on Logo TV, a niche American LGBTQ television channel. Debuting at the height of the reality television phenomenon (itself a subject of scholarly inquiry within my own field of Media Studies), RuPaul offered a completely different take, which promised to reveal “America’s Next Drag Superstar,” riffing on the then-popular “America’s Next Top Model” show to great, if unexpected, success.

    Now, Sasha Velour considering performing as Judith Butler on season 9 harkens back to Butler’s own theorizing of drag twenty-five years earlier in Gender Trouble: Feminism and the Subversion of Identity  (1990) and later in Bodies That Matter: On the Discursive Limits of Sex (1993), when Viva MˑAˑCs narrative takes place. Traditionally, a drag performance is a very self-conscious presentation of gender norms, often being a hyper-stylized representation of femininity. Depending on the context, however, such performances offer potential sites for challenge, critique, and action, especially regarding the AIDS epidemic. While Butler did not really consider commercial or media contexts when she described the ways and spaces in which gender performances could be subversive in the 1990s, I argue in Viva MˑAˑC that MˑAˑC’s notorious VIVA GLAM ad featuring RuPaul should also be considered subversive: the very fact of featuring a drag queen “performing” in a beauty ad to promote awareness and fundraising for HIV/AIDS organizations was unheard-of for that time.

    We’ve now come full circle: Sasha Velour can invoke Butler, confident that many in the audience would understand the reference. Butler herself responded to Sasha (much to her delight), admiring how “radical and fierce” Sasha was but also pointing out they were both connected in a mutual project that addressed the “struggle for freedom, for self-expression, for political rights, for the ability to walk down the street without being harassed, to be able to move across borders and express one’s political desires and have a form of life in which one can live and breathe and move as one pleases."

    Drag as an art form has evolved in amazingly creative and increasingly diverse and inclusive ways, and it’s now also mainstream entertainment, drag’s underground vernacular and traditions, even its theoretical underpinnings, becoming common parlance, thanks largely to “RuPaul’s Drag Race.” It’s worth remembering, though, and not just during Pride, that drag’s political and activist commitments run deep, wherever they show up: in the bar, on television, or in a lipstick ad. Viva MˑAˑC tells a little of that story.


    Andrea Benoit is the Academic Review Officer in the Faculty of Arts & Science at the University of Toronto, and Adjunct Assistant Professor of Media Studies in the Faculty of Information and Media Studies at the University of Western Ontario. She is the author of Viva MˑAˑC: AIDS, Fashion, and the Philanthropic Practices of MˑAˑC Cosmetics.

  • On Writing a Topical Piece for a Quarterly Journal



    Written by guest blogger Stewart Manley

    I encountered unique challenges when I wrote about an ongoing legal case, Federal Trade Commission v. OMICS et al., for the Journal of Scholarly Publishing. I anticipated that the quarterly publishing cycle of JSP meant that it would take longer to publish my work than at a news outlet or blog, but I initially overlooked the fact that the legal case could develop—perhaps suddenly and significantly—at any moment between the time of editing and publishing. There was a risk therefore that the piece, if accepted, would lag behind what was actually happening in the case and, even worse, omit crucial information that readers would have learned about from more timely media.


    Lloyd D. George Federal District Courthouse, Las Vegas, Nevada, USA
    Location of the court that heard the FTC v. OMICS case.

    At the same time, though, I did not want to wait until the case was over. It was unclear how much longer the proceedings would last. I could imagine a judgment still years away. Additionally, although the lawsuit had initially garnered interest in the press when it was filed in 2016, I had seen almost nothing after that, creating a gap that I thought my research could fill.

    In their reply to my submission, the co-editors of JSP wisely expressed concern about how potential developments could impact my predictions on pending legal motions. They also suggested I consider not presenting the manuscript as part 1 of a series of progress reports, explaining that the article would appear in the April 2019 issue and no major edits could be made after early November. A lot can happen in a court case in five months. Their recommendation was to “time-proof” the article as much as possible so that it would remain relevant regardless of what might happen during the intervening months.

    I removed the predictions, made it a stand-alone piece, and strengthened the sections that would not be affected by case developments. Every so often, I checked the online case records for updates. Between late July 2018 and early 2019, there was only a motion to delay the case, which was subsequently withdrawn. I was relieved in a way, hoping that nothing major would happen before the April publishing date. On 22 March, I submitted my formatting edits to the final proofs. The article was now ready for publishing.

    Only seven days later, however, on 29 March, Judge Gloria Navarro of the U.S. District Court in Las Vegas, Nevada, issued a final judgment in favour of the FTC, accepting the FTC’s factual allegations as uncontroverted and granting a summary judgment without a trial. The news made the New York Times and Science. I felt a surge of panic in my chest, worrying that this development would require extensive revisions to my piece. After reading the judgment, however, I realised that our “time-proofing” had made changes unnecessary. I quickly contacted Robert Brown, a JSP co-editor, who kindly agreed to include a brief update at the end of my article.

    In retrospect, things could not have worked out better. The suggestion to remove my predictions helped me avoid prognosticating about things that would turn out to have been already decided. Even better, the article in its final form is more useful to future readers. And I am glad that I wrote about the case when I did because the April issue of JSP was published online just a couple weeks after the judgment, making the article more timely than I could have hoped for.

    FTC v. OMICS may not be over. OMICS has said it will appeal the decision. Perhaps there will be a part 2 after all.


    Seal of the Federal Trade Commission

    Stewart Manley is a lecturer for the Faculty of Law, University of Malaya. He can be reached at stewart.manley@um.edu.my. His articles, personal essays, poetry, and photography can be found at www.stewartmanley.com. Read his latest article in Journal of Scholarly Publishing Predatory Journals on Trial: Allegations, Responses, and Lessons for Scholarly Publishing from FTC v. OMICS free for a limited time here.

  • UTP Goes to Congress: Enter Our Twitter Contest!

    Our team is on its way to the beautiful University of British Columbia for Congress! Heading to BC? Plan to drop by the UTP display to meet with editors, grab some swag, and enter our contests – and, of course, add a book or two to your reading list.

    First up: we’ll be kicking off the week with a Twitter contest. It’s easy: during Congress, follow us @utpress and send out a tweet using the hashtag #UTPGoesToCongress. You’ll be entered to win a prize pack of our top titles in higher ed. Hanging out at Congress and aren’t on Twitter? Stop by the UTP booth and sign up for our newsletter for another chance to win. Never miss an update and you may have some great reads heading your way...

    Learn more about our higher ed prize pack:

    Work Your Career: Get What You Want from Your Social Sciences or Humanities PhD

    How do you choose between a non-academic and an academic career? Prepare for both from your first day on campus! Authors Jonathan Malloy and Loleen Berdahl show how your PhD can take you down any number of paths. Filled with practical, no-nonsense advice tailored to you, you'll want this handy guide beside you every step of the way.


    The Craft of University Teaching

    How does university instruction look when it’s approached as a craft? In an era of bureaucratic oversight, diminishing budgets, and technological distraction, Peter Lindsay seeks to reclaim teaching as the rewarding endeavor it is.

     


    The Slow Professor: Challenging the Culture of Speed in the Academy

    A must-read for anyone in academia concerned about the frantic pace of contemporary university life. Focusing on individual faculty members and their own professional practice, Maggie Berg and Barbara Seeber present both an analysis of the culture of speed in the academy and ways of alleviating stress while improving teaching, research, and collegiality.


    Course Correction: A Map for the Distracted University

    The university’s business, Paul Gooch writes, is to generate and critique knowledge claims, and to transmit and certify the acquisition of knowledge. Course Correction engages in deliberation about what the twenty-first-century university needs to do in order to re-find its focus as a protected place for unfettered commitment to knowledge, not just as a space for creating employment or economic prosperity.


    Kickstarting Your Academic Career: Skills to Succeed in the Social Sciences

    An essential primer on the common scholastic demands that social sciences students face upon entering college or university. Based on the challenges that instructors most often find students need help with, Robert Ostergard Jr. and Stacy Fisher offer practical advice and tips on topics such as how to communicate with instructors, take notes, read a textbook, research and write papers, and write successful exams.

     


    Contest Rules and Regulations – University of Toronto Press
    Open to residents of Canada (excluding the Province of Quebec)

    1. CONTEST PERIOD: The 2019 University of Toronto Press Twitter contest commences at 12:00 AM Eastern Time (“ET”) on June 1, 2019, and will end at June 8, 2019 (the “Contest Period”). All times are Eastern Times.

    2. RULES: By entering this Contest, entrants agree to abide by these Contest rules and regulations (the “Official Rules”). The decisions of the independent contest organization with respect to all aspects of the Contest are final. These rules are posted at http://blog.utorontopress.com/2019/05/30/utp-congress-twitter-contest

    3. ELIGIBILITY: To enter the win the Contest and be eligible to win a Prize (see rule 6), a person (“Entrant”) must, at the time of entry, be a legal resident of Canada (excluding the Province of Quebec) who has reached the age of majority in his/her province or territory of residence. The following individuals and members of such person’s immediate family (including mother, father, brothers, sisters, sons, daughters, partner or spouse regardless of where they live) or persons with whom they are domiciled (whether related to the person or not) are not eligible to enter the Contest: employees, officers, directors, shareholders, owners, general and limited partners, agents, representatives, successors.

    4. HOW TO ENTER: During the Contest period, follow @utpress on Twitter, and tweet using the hashtag #UTPGoesToCongress that pertains to the Contest. Limit one (1) entry per person per day during the contest Period regardless of method of entry. Any person who is found to have entered in a fashion not sanctioned by these Official Rules will be disqualified.

    5. PRIZE: The winner will receive one (1) print copy of each of the following: Course Correction, The Slow Professor, Work Your Career, Kickstarting Your Academic Career, and The Craft of University Teaching.

    6. DRAW:

    i. The random draw will include all eligible entries, and will take place on June 9, 2019 at 12:00 PM at the University of Toronto Press offices, located at 800 Bay St. Mezzanine, Toronto, Ontario, M5S 3A9.

    ii. The winner will be contacted via social media, and will be included in the announcement on Twitter. If a selected Entrant cannot be reached via social media within 7 days of the draw, then he/she will be disqualified and another Entrant will be randomly selected until such time as contact is made via social media with a selected Entrant that satisfies the foregoing requirements or there are no more eligible entries, whichever comes first. University of Toronto Press will not be responsible for failed attempts to contact a selected Entrant.

    7. CONDITIONS OF ENTRY: By entering the Contest, Entrants (i) confirm compliance with these Official Rules including all eligibility requirements, and (ii) agree to be bound by these Official Rules and by the decisions of University of Toronto Press, made in its sole discretion, which shall be final and binding in all matters relating to this Contest. Entrants who have not complied with these Official Rules are subject to disqualification.

    8. CONSENT TO USE PERSONAL INFORMATION: University of Toronto Press respects your right to privacy. The information you provided will only be used for the purpose of administering this Contest and prize fulfillment. For more information regarding University of Toronto Press’s privacy statement, please visit https://utorontopress.com/ca/privacy-policy.

  • The University of Texas Press and University of Toronto Press Merge to Form “Giddy UP”

    April 1, 2019

    The University of Texas Press and University of Toronto Press Merge to Form “Giddy UP”

    Following months of idle speculation within academic circles, the University of Texas Press and the University of Toronto Press announced today that they are merging operations, effective immediately. The two university publishers will unite under one banner, “Giddy UP” (#GiddyUP), to build on mostly superficial parallels between the interests of scholars in the most populous city in Canada and their counterparts in the fourth-most populous city in Texas.

    The merger was not inspired by shared corporate values, but, rather, the near endless confusion on social media regarding the handle @utpress. The University of Toronto Press can be found on Facebook, Twitter, Instagram, and LinkedIn as @UTPRESS. However, readers have often mistaken @UTPRESS for @UTEXASPRESS and have tagged the Canadian institution in reference to the latest Texas publications.

    To reduce the miniscule amount of staff time spent dealing with messages from confused customers, leadership at the respective scholarly presses opted to overlook geographic challenges. Both teams are excited to join forces and better serve the people of Texas from the colder climes of Ontario. The University of Texas Press social media presences @UTEXASPRESS will continue to post content, but will pivot to purely cute animals.

    The new logo for the combined publishers incorporates Canada’s national sport of hockey with the well-known bovine mascot of the University of Texas at Austin.

    The entire staff of the University of Texas Press will take their talents north of the border, leaving their current office space to be converted to a pop-up shop showcasing artisanal popsicles. The University of Toronto Press will expand their office to include a Tim Horton’s/Smokehouse for staff use.

    To prepare for the move and requisite immigration red tape, the University of Texas Press staff members are all required watch Don Cherry’s Rock’em Sock’em Hockey, Volumes 1-30 and University of Toronto Press staff will all learn how to line dance. Both teams are receiving training in colloquialisms such as how to use “y’all” and “eh” appropriately.

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