Tag Archives: One in a Thousand

  • One in a Thousand: One Hundred Years Later

    One hundred years ago, Eddie McKay, the WWI flying ace featured in One in a Thousand, was shot down and killed. To commemorate his life and death, and the publication this year of Eddie's story in an innovative new microhistory, author Graham Broad discusses how he was compelled to research, write, and publish Eddie's story. To learn more about Eddie McKay, you can of course get your hands on a copy of One in a Thousand, but we also urge you to check out Eddie's account on Twitter: @AEMcKayRFC

    I don’t believe in such things, but if I did, I’d say that Eddie McKay was pursuing me.

    About fifteen years ago, when I was a TA in the Canadian history survey at Western, I was asked to give a guest lecture about Canada in the First World War. It was my first lecture and I was quite unsure of myself, but I knew that the lecture would be more meaningful for the students if I told them about someone from their own university who had been killed in the war. The campus had no First World War cenotaph—it’s a long story—but I found Eddie's name in an old book about Western’s history. I looked into his story briefly. He was a rugby player who became a pilot in the Royal Flying Corps. Perfect.

    I spent a few hours in the university archives looking for a picture of him to no avail. I left, stretching and yawning, rubbing my eyes, and paused to glance for a moment at a nearby display case. And there was an old and yellowed photo of Eddie McKay, wearing his rugby team uniform, looking straight back at me from the pages of a scrapbook about Western’s sports history. I alerted the archivist. “That’s weird,” she said. “I flipped to that page at random this morning.”

    Odd things like that happened again, over a decade later, when I decided to write a book about Eddie, like the time I took my laptop to the local market for a change of scenery. Sipping coffee and writing, I looked down for a moment at the top of the table. Somebody had etched “Eddie” in it. So that was weird, too.

    Again, I don’t believe in that stuff, but Eddie McKay does haunt me in a way. I can’t really claim to know him. Even if he had survived the war, it’s improbable that I ever could have: he would have turned seventy-eight the year I was born. Would I have liked him, or would he have liked me? He was athletic and a soldier. I am bookish, uninterested in sports, and unmilitary. And it would be incredible if he did not share many of the commonplace sentiments of his own age that rightly find no place in our own. Yet something about him compelled and still compels me inexorably. I’d mention him once a year when I guest lectured, and later in my classes when I started to teach. Then in 2007, I persuaded my senior seminar to do a little class project about him. Together, we gathered material about his life, at least the stuff we could get locally, and placed a commemorative marker for him on campus. I pass it often. My wife, who works at the university, can see it from her office window.

    In 2013, I hashed out an idea with Natalie Fingerhut, the Higher Education History Editor at University of Toronto Press. A biography, of sorts, of Eddie McKay. Could it be done? I dunno, I said. I’m not sure if there’s enough material. What the students and I had gathered in 2007 provided no more than a sketch. Even better, she proposed. It would really be two biographies: the story of Eddie McKay and the story of how I wrote that story—or failed to write it. A pedagogical microhistory.

    So, I committed biography, as they say. Sort of. I was able to locate only about six documents relating specifically to Eddie’s life prior to his twentieth year, for example, so the “biography” was pretty much confined to the last three years of his life when he was a student and soldier. Moreover, the experience of thinking my way through things I had taken for granted, such as how I went about doing history, why I believed the things I discovered about the past were probably true, laid me bare. Oh, back in the day I had taken the obligatory theory and methods courses, and I had wandered the thickets of “theory” over many hours of beer and argument with classmates who were convinced that there was nothing in this world that we could be convinced about. But I had always believed that, for all the interventions of the post-modernists, the core methodology of the historical profession hasn’t changed much over the years. We write about more things and often take a broader perspective, but fundamentally it seems to me that most historians do what historians have been doing for a very long time: they gather evidence to tell stories and make arguments about the past.

    My book, One in a Thousand: The Life and Death of Captain Eddie McKay, Royal Flying Corps, is the story of a promising young man who was killed in a terrible war. It is also the story about how I struggled to learn what I did about him, how I came to certain conclusions—however tentative—about him, and how I dealt with gaps in the record and the mysteries I couldn’t resolve. Where is he buried? Who was the mystery woman who inquired after him when he failed to return from his final patrol? What was in the envelope, addressed to him, that was never sent by the President of UWO in 1917? The book serves as an entry point, then, for students wanting to learn more about historical theory and method. It’s possible to skip the methodological discussions and read the book as biography alone, but it’s my hope that readers who come for the history will stay for the historiography.

    Eddie McKay was killed in action the day after his 25th birthday, 28 December 1917. For the past two years, I have been tweeting significant events in his life from @AEMcKayRFC. You can follow him there. In a future blog post, I’ll ruminate some about how I learned to stop worrying and love the tweet.

    Graham Broad is Associate Professor of History at King's University College at Western University and the author of A Small Price to Pay: Consumer Culture on the Canadian Home Front, 1939-1945 (2013).

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