Critical Digital Studies: A Reader, Second Edition
© 2013
Since its initial publication, Critical Digital Studies has proven an indispensable guide to understanding digitally mediated culture. Bringing together the leading scholars in this growing field, internationally renowned scholars Arthur and Marilouise Kroker present an innovative and interdisciplinary survey of the relationship between humanity and technology. The reader offers a study of our digital future, a means of understanding the world with new analytic tools and means of communication that are defining the twenty-first century.
The second edition includes new essays on the impact of social networking technologies and new media. A new section – “New Digital Media” – presents important, new articles on topics including hacktivism in the age of digital power and the relationship between gaming and capitalism. The extraordinary range and depth of the first edition has been maintained in this new edition. Critical Digital Studies will continue to provide the leading edge to readers wanting to understand the complex intersection of digital culture and human knowledge.
Product Details
- Series: Digital Futures
- World Rights
- Page Count: 624 pages
- Illustrations: 49
- Dimensions: 6.6in x 1.3in x 9.5in
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Reviews
“The Krokers are more than experts on questions of digital culture; they are leaders in the field who bring an essential, innovative, and irreplaceable perspective to literature in the area.”
Ted Hiebert, School of Interdisciplinary Arts and Sciences, University of Washington, Bothell
“Critical Digital Studies offers sound and well-supported research at the very edge of critical reflection. Arthur and Marilouise Kroker's anthology keeps up with the speed economies of networks not from within the wave but where the waves crash and even at times outruns them.”
Ricardo Dominguez, Electronic Disturbance Theater“Arthur and Marilouise Kroker have done a superb job in bringing together the most up-to-date and original scholarship in the field which, as theorists, they have helped to shape. This new edition should be required reading for anyone engaged in digital media research and/or new forms of creative digital practice.”
Janine Marchessault, Canada Research Chair in Art, Digital Media and Globalization, York University -
Author Information
Arthur Kroker is the director of the Pacific Centre for Technology and Culture, and Canada Research Chair in Technology, Culture, and Theory at the University of Victoria.
Marilouise Kroker is a senior research scholar in the Pacific Centre for Technology and Culture at the University of Victoria. -
Table of contents
Acknowledgments
Introduction
ARTHUR AND MARILOUISE KROKERCODE BREAKERS
- Traumas of Code
N. KATHERINE HAYLES - A Game of Cat’s Cradle: Science Studies, Feminist Theory, Cultural Studies
DONNA J. HARAWAY - Reframing the Cathedral: Opening the Sources of Technologies and Cultural Assumptions
SARA DIAMOND - Romancing the Anti-body: Lust and Longing in (Cyber)space
LYNN HERSHMAN LEESON
NEW DIGITAL MEDIA
- All Bugs Are Shallow: Digital Biopower, Hacker Resistance, and Technological Error in Open-Source Software
MATTHEW KELLY - Contagion Theory: Beyond the Microbe
TONY D. SAMPSON - A Conversation with Spirits inside the Simulation of a Coast Salish Longhouse
JACKSON 2BEARS - Empire@Play: Virtual Games and Global Capitalism
NICK DYER-WITHEFORD AND GREIG DE PEUTER - Archaeologies of Media Art
JUSSI PARIKKA IN CONVERSATION WITH GARNET HERTZ
TECHNOLOGY, IDENTITY, AND SURVEILLANCE
- Precision + Guided + Seeing
JORDAN CRANDALL - Understanding Meta-media
LEV MANOVICH - Black Box, Black Bloc
ALEXANDER R. GALLOWAY - Biophilosophy for the 21st Century
EUGENE THACKER - Algebra of Identity: Skin of Wind, Skin of Streams, Skin of Shadows, Skin of Vapour
D. FOX HARRELL
POLITICS, GENDER, AND RELIGION
INFORMATION AND POWER
- Communication and Imperialism
JAMES TULLY - Occupology, Swarmology, Whateverology: The City of (Dis)order versus the People’s Archive
GREGORY SHOLETTE - Tell Us What’s Going to Happen: Information Feeds to the War on Terror
SAMUEL NUNN - Grammar of Terrorism: Captivity, Media, and a Critique of Biopolitics
MICHAEL DARTNELL - Virilio’s Apocalypticism
MARK FEATHERSTONE
GENDER AND SEXUALITY
- The Cyborg Mother: A Breached Boundary
JAIMIE SMITH-WINDSOR - Haptics, Mobile Handhelds, and Other ‘Novel’ Devices: The Tactile Unconscious of Reading across Old and New Media
RACHEL C. LEE - Becoming Dragon: A Transversal Technology Study
MICHA CÁRDENAS
RELIGION AND SOCIETY
- Circuits, Death, and Sacred fiction: The City of Banaras
MAHESH DAAS - Digital Cosmologies: Religion, Technology, and Ideology
ARTHUR KROKER - Technologies of the Apocalypse: The Left Behind Novels and Flight from the Flesh
STEPHEN PFOHL
CULTURE, ART, AND COMMUNICATION
PERCEPTION
- The Aura of the Digital
MICHAEL BETANCOURT - When Taste Politics Meets Terror: The Critical Art Ensemble on Trial
JOAN HAWKINS - Distraction and Digital Culture
WILLIAM BOGARD
PERFORMANCE
- Metal Performance: humanizing Robots, Returning to Nature, and Camping About
STEVE DIXON - Prosthetic Head: Intelligence, Awareness, and Agency
STELARC - Simulated Talking Machines: Stelarc’s Prosthetic Head
JULIE CLARKE - Slipstreaming the Cyborg
FRANCESCA DE NICOLÒ IN CONVERSATION WITH CHRISTINA MCPHEE
SOUND
- Black Secret Technology (The Whitey on the Moon Dub)
JULIAN JONKER - Material Memories: Time and the Cinematic Image
PAUL D. MILLER (DJ SPOOKY) - The Turntable
CHARLES MUDEDE
Bibliography
Contributors
- Traumas of Code
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Downloads/Links
Please visit the companion website. -
Subjects and Courses