Narrative Interludes: Musical Tableaux in Eighteenth-Century French Texts

By Tili Boon Cuillé

© 2005

French authors in the eighteenth century traditionally used music to enhance literary love scenes. Jean-Jacques Rousseau considerably expanded contemporary notions of music’s expressive power, yet distinguished between the capacity of different nations and sexes to wield it. Rousseau’s controversial statements led his readers to interrogate the relationship between music, meaning, and morality. They depicted their resistance to his claims in musical tableaux, or musical performances staged for a beholder inscribed within the text. Tili Boon Cuillé's Narrative Interludes chronicles the emergence of the musical tableau in French literature.

Spanning the latter half of the eighteenth century, Cuillé brings the cultural discourse on music and musicians to bear on the works of Diderot, Cazotte, Beaumarchais, Charrière, Cottin, Krüdener, and Staël. She turns attention from the representation of music to its moral repercussions, from aesthetic innovation to social resistance, and from national to gender politics. Juxtaposing pre-eminent and popular writers, Cuillé reads their fictional works in light of their treatises on art and society, exploring the significance of musical tableaux that have previously fallen outside the scope of literary analysis but that revolutionized the form and function of music in the text.

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Product Details

  • Series: University of Toronto Romance Series
  • World Rights
  • Page Count: 320 pages
  • Dimensions: 6.3in x 1.1in x 9.3in
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SKU# SP000765

  • PUBLISHED MAR 2006

    From: $77.25

    Regular Price: $103.00

    ISBN 9780802038425
  • PUBLISHED FEB 2006

    From: $91.50

    Regular Price: $122.00

Quick Overview

Juxtaposing pre-eminent and popular writers, Cuillé reads their fictional works in light of their treatises on art and society, exploring the significance of musical tableaux that have revolutionized the form and function of music in the text.

Narrative Interludes: Musical Tableaux in Eighteenth-Century French Texts

By Tili Boon Cuillé

© 2005

French authors in the eighteenth century traditionally used music to enhance literary love scenes. Jean-Jacques Rousseau considerably expanded contemporary notions of music’s expressive power, yet distinguished between the capacity of different nations and sexes to wield it. Rousseau’s controversial statements led his readers to interrogate the relationship between music, meaning, and morality. They depicted their resistance to his claims in musical tableaux, or musical performances staged for a beholder inscribed within the text. Tili Boon Cuillé's Narrative Interludes chronicles the emergence of the musical tableau in French literature.

Spanning the latter half of the eighteenth century, Cuillé brings the cultural discourse on music and musicians to bear on the works of Diderot, Cazotte, Beaumarchais, Charrière, Cottin, Krüdener, and Staël. She turns attention from the representation of music to its moral repercussions, from aesthetic innovation to social resistance, and from national to gender politics. Juxtaposing pre-eminent and popular writers, Cuillé reads their fictional works in light of their treatises on art and society, exploring the significance of musical tableaux that have previously fallen outside the scope of literary analysis but that revolutionized the form and function of music in the text.

Continue Reading Read Less

Product Details

  • Series: University of Toronto Romance Series
  • World Rights
  • Page Count: 320 pages
  • Dimensions: 6.3in x 1.1in x 9.3in
  • Author Information

    Tili Boon Cuillé is an assistant professor in the Department of Romance Languages and Literatures at Washington University in St. Louis.

  • Table of contents

    List of Illustrations

    Preface

    Acknowledgments

    Introduction: Tableau Theory

    PART ONE: MUSIC AND LANGUAGE:
    LA QUERELLE DES BOUFFONS

    1. Diderot and Musical Mimesis
    2. Cazotte and Reader Re-creation
    3. Beaumarchais’s Staged Songs

    PART TWO: MUSIC AND MORALITY:
    LA QUERELLE DES FEMMES

    1. Charrière’s Exercises in Equivocation
    2. Cottin, Krüdener, and Musical Mesmerism
    3. Staël’s Sweet Revenge

    Afterward

    Notes

    Works Cited

    Index

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