Passing Judgment: The Politics and Poetics of Sovereignty in French Tragedy from Hardy to Racine
The royal judge was an archetypal character in French tragedy during the 17th century. This figure impersonated the king by asserting his judicial authority and bringing order to an otherwise chaotic world.
In Passing Judgment, Hélène Bilis examines how an overlooked character-type—the royal judge—remained a constant of the tragic genre throughout the 17th century, although the specifics of his role and position fluctuated as playwrights experimented with changing models of sovereignty onstage. Her readings analyze how this royal decision-maker stood at the intersection of political and theatrical debates, and evolved through a process of trial and error in which certain portrayals of kingship were deemed obsolete and were discarded, while others were promoted as culturally allowable and resonant. In tracing the royal judge’s persistent presence and transformation, Bilis argues that we can better grasp the weighty political stakes of theatrical representations under the ancien régime.
- World Rights
- Page Count: 272 pages
- Dimensions: 6.4in x 0.9in x 9.3in
"This book is an excellent addition to scholarship on both humanist and classical French theater."
Brian Moots, Pittsburgh State University
“Bilis writes with admirable clarity as she traces a fine line of research and thinking about dramatic history and court culture during this period. She makes a valuable contribution to seventeenth-century French studies and to theatre history.”
Harriet Stone, Department of Romance Languages and Literatures, Washington University in St Louis
“In Passing Judgment, Hélène Bilis proposes a new study on the evolution of French tragedy. She eloquently shows how the tragic genre is permeable to various aesthetics and does not necessarily bind to a set of rigid rules.”
Hélène Visentin, Department of French, Smith College
Author InformationHélène E. Bilis is an assistant professor in the Department of French at Wellesley College.
Table of contents
CHAPTER 1: The Critique of Le Cid: Richelieu, Royal Judgment, and the Rules
CHAPTER 2: Failed Judgments, Thwarted Justice: Alexandre Hardy’s Scédase ou l’hôspitalité violée
CHAPTER 3: The Ceremony Unravels: Tragedy’s Comedic Turn
CHAPTER 4: Learning From Experience: On Corneille and Coherence
CHAPTER 5: Corneille’s Cinna and Rotrou’s Crisante: A Search for the Emperor’s Judgment
CHAPTER 6: Racine and Royal Fathers of Injustice—Mithridate and Phèdre
Subjects and Courses