Poetry and Crisis: Cultural Politics and Citizenship in the Wake of the Madrid Bombings
On March 11, 2004, Islamist terrorists carried out a massive bombing on Madrid’s largely working-class commuter trains, leaving 191 people dead and more than 1,500 others wounded. This event, known in Spain as 11-M, was the second of three highly visible jihadist attacks on the West between 2001 and 2005, and the first in Europe, occurring just days before the national elections in Spain.
Arguing that 11-M marked a critical turning point in Spanish society, this book reveals how poetry played a unique role and reflected a new political and cultural sensibility defined by informal and non-hierarchical networks of communication and memorialization. After the attacks, poems circulated in public spaces in unexpected ways, creating links and relationships that were binding: they were inscribed on banners and monuments; musicalized in anthems, protest songs, and hip-hop music; reproduced on manifestos and blogs; sent by email and text; scribbled on scraps of paper and posted on walls; performed publicly; and painted as graffiti. These forms of expression also resonated strongly with Spanish poets who had already been exploring the possibilities of ethical engagement and aesthetic creation. Poetry and Crisis explores how this essentially poetic sensibility emerged from tragedy, laying the groundwork for similar kinds of affective and grassroots mobilization that continue to grow in Europe today.
- Series: Toronto Iberic
- World Rights
- Page Count: 192 pages
- Dimensions: 6.1in x 0.9in x 9.1in
"This is an engaging, intelligent, and timely reflection on the role of poetry at times of personal and social crisis."
L. Elena Delgado, Department of Spanish and Portuguese, University of Illinois at Urbana-Champaign
"With sound analysis of lyric texts and performances, Poetry and Crisis sheds revealing light on how literary devices, including rhetorical questions, apostrophes, and metaphors, must be read with an attentive ear to their public reception and socio-cultural context, one here that is saturated by collective grief and trauma."
Daniel Aguirre-Oteiza, Romance Languages and Literatures, Harvard University
Author InformationJill Robbins is a professor emerita in the School of Social Sciences, Humanities and Arts at the University of California, Merced.
Table of contents
Part 1: Poetry, Politics, Performance
1. Rhetoric and Ideology in Grassroots Memorials and Official Monuments
2. Circulation and Performance in Memorial and Media Sites
3. Archives and Grassroots Anthologies: Preservation, Social Action, and Affect
Part 2: Poets, Cultural Politics, and Crisis
4. Body, Affect, Flesh
5. Pixel, Bar Code, Algorithm
Subjects and Courses