The Figino, or On the Purpose of Painting: Art Theory in the Late Renaissance

By Ann Doyle-Anderson and Giancarlo Maiorino

© 2001

Of the many treatises written in Italy during the Counter-Reformation, none is more illustrative of the intellectual fermentation of the period than Comanini's work on the purpose of painting, Il Figino overo del fine della Pittura (1591). Although the importance of Il Figino has long been recognized, the text has remained largely inaccessible to many scholars throughout the world. This first complete English translation will make the work available to those readers for the first time.

In Il Figino, Comanini addresses all of the most hotly debated aesthetic issues of the time, drawing on an array of classical, medieval and Renaissance sources, including Plato, Aristotle, Horace, Mazzoni, Tasso and Paleotti. The editor and translator provide copious notes which clarify Comanini's aesthetic and theological references, as well as a lucid introduction that places the issues and debates in context. Comanini's impressive erudition makes his treatise an excellent barometer of the state of scholarship in the Counter-Reformation era. This translation is a long-overdue addition to the field of Renaissance studies.

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Product Details

  • Series: Toronto Italian Studies
  • World Rights
  • Page Count: 192 pages
  • Dimensions: 6.2in x 0.8in x 9.3in
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SKU# SP000540

  • PUBLISHED DEC 2001

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    Regular Price: $37.95

    ISBN 9780802084460
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    Regular Price: $74.00

    ISBN 9780802035745
  • PUBLISHED FEB 2002

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Quick Overview

Comanini's impressive erudition makes his treatise an excellent barometer of the state of scholarship in the Counter-Reformation era. This translation is a long-overdue addition to the field of Renaissance studies.

The Figino, or On the Purpose of Painting: Art Theory in the Late Renaissance

By Ann Doyle-Anderson and Giancarlo Maiorino

© 2001

Of the many treatises written in Italy during the Counter-Reformation, none is more illustrative of the intellectual fermentation of the period than Comanini's work on the purpose of painting, Il Figino overo del fine della Pittura (1591). Although the importance of Il Figino has long been recognized, the text has remained largely inaccessible to many scholars throughout the world. This first complete English translation will make the work available to those readers for the first time.

In Il Figino, Comanini addresses all of the most hotly debated aesthetic issues of the time, drawing on an array of classical, medieval and Renaissance sources, including Plato, Aristotle, Horace, Mazzoni, Tasso and Paleotti. The editor and translator provide copious notes which clarify Comanini's aesthetic and theological references, as well as a lucid introduction that places the issues and debates in context. Comanini's impressive erudition makes his treatise an excellent barometer of the state of scholarship in the Counter-Reformation era. This translation is a long-overdue addition to the field of Renaissance studies.

Continue Reading Read Less

Product Details

  • Series: Toronto Italian Studies
  • World Rights
  • Page Count: 192 pages
  • Dimensions: 6.2in x 0.8in x 9.3in
  • Reviews

    'This translation renders accurately the intense and at times tortuous rationalization of Comanini, and it does so in a sparkling and readable prose.'


    Angelo Mazzocco, Professor of Spanish and Italian, Mount Holyoke College
  • Author Information

    Ann Doyle-Anderson is Associate Professor, Department of Modern Languages, Steph F. Austin State University.

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